The Arcanum
A Novel
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- $3.900
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- $3.900
Descripción editorial
It is 1919 and the Great War has come to a close. But in the shadows of the world’s major cities, the killing has just begun. In this perilous time, as the division between order and chaos grows increasingly slim, a select group of visionaries have taken it upon themselves to ensure the safety of humanity. They are known as the Arcanum.
In London’s stormy Hyde Park, Konstantin Duvall, the Arcanum’s founder, has been killed in a suspicious accident. Dismayed, the group’s longest-lived member, Sir Arthur Conan Doyle, determines to avenge Duvall’s death—and uncover the secret left in his wake. For the dead man possessed the world’s most powerful—now missing—artifact: the Book of Enoch, the chronicle of God’s mistakes, within whose pages lie the seeds for the end of everything.
From the scene of the crime, Conan Doyle embarks on a path that leads him to the sleazy underworld of New York City’s Bowery and a series of deceptively disparate—but decidedly connected—murders. And as he calls upon the scattered members of the Arcanum for aid, he also finds himself embroiled in a story of war as old as time itself. Not of a struggle between countries, but between darkness and light.
Peopled with the twentieth century’s most famous—and infamous—figures, here is an extraordinary tale in which the stakes go beyond the realm of humankind—into the divine.
PUBLISHERS WEEKLY
In screenwriter Wheeler's cinematic debut novel, an occult thriller set in New York City in 1919, Sir Arthur Conan Doyle and his fellow members of a secret society known as the Arcanum including magician Harry Houdini and voodoo priestess Marie Laveau investigate a gruesome murder, rescue horror writer H.P. Lovecraft from jail, consult evil mystic Aleister Crowley, learn the truth behind the ancient Book of Enoch, try to solve the mystery of a tribe of lost angels and otherwise save the world. All the supernatural shenanigans, however, can't disguise that these characters, with their contemporary sensibilities, are crude caricatures of their real-life originals. Lovecraft, for example, is reduced to a perverse boyish demonologist, while Laveau is a sexpot who speaks in a Caribbean patois: "So, how we s'posed to get him outta that jail?" Each vividly written chapter is so obviously a film scene that credit should be given for art direction. The author uses nearly every landmark available in 1919 New York for a setting, but a wealth of well-researched period detail is no substitute for a true feeling for an era's zeitgeist. Those seeking thought-provoking "secret history" would do better to turn to the fiction of Tim Powers (Last Call) or Alexander C. Irvine (A Scattering of Jades).
