The House of Fortune
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- $18.500
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- $18.500
Descripción editorial
Alive with the magic of Amsterdam, the enchanting new historical novel from the author of the sensational New York Times bestseller The Miniaturist, which has sold more than two million copies.
In 1705 Amsterdam, Thea Brandt is coming of age, trying to grapple with her family's secrets and her own identity as a young Dutch-African woman. She's drawn to the theater and an artistic life, but with her family in serious financial decline, pressure is on Thea to marry up in society.
As her father and Aunt Nella work desperately to save the family home and catastrophe threatens to engulf them, Thea seeks refuge in the arms of her secret lover, Walter, the chief set-painter at her favorite theater. But the thrill of their romance is shadowed by another secret she keeps close: Her birthday marks the day her mother, Marin, died in labor. Thea's family refuses to share the details of the story, just as they seem terrified to speak of the shadowy artist from their past whose tiny figurines seem to capture the things most carefully hidden away. Aunt Nella believes the solution to Thea's problems is to find her a husband, and an unexpected invitation to Amsterdam's most exclusive ball seems like a golden opportunity. But when a miniature figure of Walter turns up on Thea's doorstep, it becomes clear that someone out there has another fate in mind for the family- and that perhaps the new beginning Thea seeks won't depend on a man.
A feat of sweeping, magical storytelling, The House of Fortune is an unputdownable novel about love and obsession, family and loyalty, and the fantastic power of secrets.
PUBLISHERS WEEKLY
Burton returns with a captivating standalone companion to 2014's The Miniaturist. In 1705 Amsterdam, 18-year-old Thea Brandt lives in a cold mansion with her father, Otto, a Black man who was formerly enslaved; her aunt Nella; and her elderly nursemaid and cook Cornelia. The family can barely afford the house, which Otto inherited, leading to Nella intensifying her efforts to find a wealthy husband for Thea, whose mother was white, and Otto thinking about partnering with a botanist to cultivate pineapples in Holland. Thea finds refuge at a nearby theater with her friend Rebecca, a fierce and talented leading lady; and Walter, the chief set-painter and Thea's secret lover. However, after Walter breaks her heart, Thea resigns herself to marrying a wealthy lawyer from a prominent family. Throughout, the mysterious "miniaturist" of the previous book surreptitiously delivers warnings in the form of detailed figurines on Thea's doorstep, each with its own eerie significance and seeming supernatural power, just as she had done years ago with Nella. While the ending feels a little abrupt, the vibrant period detail, the characters' vibrant inner lives, and Thea's fulfilling journey to maturity make for a winning combination. Readers will relish the return of Nella and her world.
