Bodega Dreams
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- $ 37.900,00
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- $ 37.900,00
Descripción editorial
In this "thriller with literary merit" (Time Out New York), a stunning narrative combines the gritty rhythms of Junot Diaz with the noir genius of Walter Mosley.
Bodega Dreams pulls us into Spanish Harlem, where the word is out: Willie Bodega is king. Need college tuition for your daughter? Start-up funds for your fruit stand? Bodega can help. He gives everyone a leg up, in exchange only for loyalty—and a steady income from the drugs he pushes.
Lyrical, inspired, and darkly funny, this powerful debut novel brilliantly evokes the trial of Chino, a smart, promising young man to whom Bodega turns for a favor. Chino is drawn to Bodega's street-smart idealism, but soon finds himself over his head, navigating an underworld of switchblade tempers, turncoat morality, and murder.
"Bodega is a fascinating character. . . . The story [Quiñonez] tells has energy and verve." —The New York Times Book Review
PUBLISHERS WEEKLY
Praise the lord and pass the hooch: this galvanizing debut is the novel East Harlem has been waiting for since the days of the Young Lords. Quinonez has a poet's ear for the barrio's Spanglish rhythms and idioms, a brujo's gift for describing its alma, and an intense, unrelenting streetwise energy. The book features a cast of memorable characters, including dim-witted Neno, who can't complete a sentence without quoting a song lyric; the nefarious barrio lawyer Nazario; the drug runner and possible hitman Sapo, who would rather be flying a kite from the top of a tenement; and cameo appearances by many real artists and poets. But at the heart of everything is Willie Bodega, a former Young Lord who has become the biggest drug lord of them all. Bodega is also one of the most visionary and magnanimous characters in contemporary fiction. He hands out money for tuition, rent, whatever anyone needs--asking only loyalty in return. Bodega has a dream of what Spanish Harlem could become, and no scruples at all about how the money to fuel his dream is acquired. "We were all insignificant," says Chino, the narrator, "dwarfed by what his dream meant." Chino is an artist who can wax positively lyrical when he is not trading hilarious banter. The plot is basic noir--the fall of an anti-hero--but it is wrapped with a glittering array of scams and schemes that keep it all hopping. Both dreams and realities are compellingly and coolly styled by this exciting new author, and the very few first novel faux pas don't much distract from his insightful and significant achievement. FYI: Quinonez was named one of the Village Voice's 1999 Writers on the Verge.
