Chuck Klosterman IV
A Decade of Curious People and Dangerous Ideas
-
- $ 59.900,00
-
- $ 59.900,00
Descripción editorial
Coming off the breakthrough success of Sex, Drugs, and Cocoa Puffs and Killing Yourself to Live, bestselling pop culture guru Chuck Klosterman assembles his best work previously unavailable in book form—including the groundbreaking 1996 piece about his chicken McNuggets experiment, his uncensored profile of Britney Spears, and a previously unpublished short story—all recontextualized in Chuck’s unique voice with new intros, outros, segues, and masterful footnotes.
Chuck Klosterman IV consists of three parts:
Things That Are True—Profiles and trend stories: Britney Spears, Radiohead, Billy Joel, Metallica, Val Kilmer, Bono, Wilco, the White Stripes, Steve Nash, Morrissey, Robert Plant—all with new introductions and footnotes.
Things That Might Be True—Opinions and theories on everything from monogamy to pirates to robots to super people to guilt, and (of course) Advancement—all with new hypothetical questions and footnotes.
Something That Isn’t True At All—This is old fiction. There’s a new introduction, but no footnotes. Well, there’s a footnote in the introduction, but none in the story.
PUBLISHERS WEEKLY
Fans of Klosterman's Ritalin-paced pop culture criticism (Sex, Drugs, and Cocoa Puffs) will eagerly devour this collection of previously published essays. Whether investigating Latino fans of British pop icon Morrissey, interviewing female tribute bands like Lez Zeppelin and AC/DShe or eating nothing but Chicken McNuggets for a week, Klosterman is always entertaining and often insightful. But other than a sympathetic profile of Billy Joel, Klosterman rarely strays from his favorite topics: heavy metal music, television, sports and sex. Perhaps this career overview is his way of recycling old themes into some kind of new "defining endeavor," as he describes the title inspired by Led Zeppelin IV (as it is unofficially called). This would make perfect sense given his work so far: Fargo Rock City was an original and confident debut (like Led Zeppelin I); his newest book definitely has kick, but overall it's a mixed bag of collected essays strong and not-so-strong performances its parts are greater than the whole.
