On Writing
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- $ 44.900,00
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- $ 44.900,00
Descripción editorial
Sharp and moving reflections and ruminations on the artistry and craft of writing from one of our most iconoclastic, riveting, and celebrated masters.
Charles Bukowski’s stories, poems, and novels have left an enduring mark on our culture. In this collection of correspondence—letters to publishers, editors, friends, and fellow writers—the writer shares his insights on the art of creation.
On Writing reveals an artist brutally frank about the drudgery of work and canny and uncompromising about the absurdities of life—and of art. It illuminates the hard-edged, complex humanity of a true American legend and counterculture icon—the “laureate of American lowlife” (Time)—who stoically recorded society’s downtrodden and depraved. It exposes an artist grounded in the visceral, whose work reverberates with his central ideal: “Don't try.”
Piercing, poignant, and often hilarious, On Writing is filled not only with memorable lines but also with Bukowski’s trademark toughness, leavened with moments of grace, pathos, and intimacy.
PUBLISHERS WEEKLY
Almost 50 years' worth of the letters of poet, novelist, and screenwriter Bukowski (1920 1994) capture much about him: his compulsive writing, brilliant phrase-making, unapologetic drinking, and problematic relationships with women. The letters, written between 1945 and 1993 to correspondents including friends, editors, critics, and academics, are routinely obscenity-laden, often funny, always opinionated, and very occasionally tender. Just as Bukowski could be offensive when alive, many will find his letters equally offensive (as when he reacts unapologetically to feminist critics). Nonetheless, it is hard not to respect his unflagging devotion to his art and unflinching application of his hypercritical mind to whoever fell under his gaze. Many of the letters are occasions for passionate, searing opinions on subjects that include young writers, critics, and famous authors. Hemingway, Bukowski opines, "makes you feel cheated," while Henry Miller is difficult to read when he gets "into his Star-Trek babbling." And Bukowski's opinions about writers are not confined to their literary merits: "I rather guess Lawrence was a breast-man rather than a leg-man." The letters are a wild ride informed in equal parts by ego, alcoholism, misanthropy, erudition, and the genius, as Bukowski puts it, of one "touched by the grace of the word."
