The Plato Papers
A Novel
-
- $ 15.900,00
-
- $ 15.900,00
Descripción editorial
From the imagination of one of the most brilliant writers of our time and bestselling author of The Life of Thomas More, a novel that playfully imagines how the "modern" era might appear to a thinker seventeen centuries hence.
At the turn of the 38th century, London's greatest orator, Plato, is known for his lectures on the long, tumultuous history of his now tranquil city. Plato focuses on the obscure and confusing era that began in A.D. 1500, the Age of Mouldwarp. His subjects include Sigmund Freud's comic masterpiece "Jokes and Their Relation to the Subconscious," and Charles D.'s greatest novel, "The Origin of Species." He explores the rituals of Mouldwarp, and the later cult of webs and nets that enslaved the population. By the end of his lecture series, however, Plato has been drawn closer to the subject of his fascination than he could ever have anticipated. At once funny and erudite, The Plato Papers is a smart and entertaining look at how the future is imagined, the present absorbed, and the past misrepresented.
PUBLISHERS WEEKLY
Is each century doomed to misinterpret previous ones? That's the central question of Ackroyd's new book, more a Swiftian compendium of social folly than a novel, satirizing many of today's intellectual shibboleths. In the year 3700, a public orator named Plato educates the masses about the important texts and beliefs of previous ages. It's an imperfect archeology, though, since destroyed texts and lost information cause him to attribute On the Origin of Species not to Charles Darwin, but to Charles Dickens, placing that volume in Dickens's line of melodramatic or romantic novels. He also puzzles over the computer age, rueing the "despair engendered by the cult of webs and nets which spread among the people" and cites Edgar Allan Poe's Tales and Histories as "the unique record of a lost race." Eventually, Plato begins to suspect that his knowledge about earlier culture is fundamentally incorrect, but as he moves beyond generally accepted assumptions, he runs afoul of those in power. He's placed on trial and is forced to defend himself against accusations of "corrupting the young by spinning lies and fables." Biographer (The Life of Thomas More) and novelist (Chatterton) Ackroyd displays his encyclopedic knowledge of world literature in this philosophical satire, rendering this effort witty and cerebral. The humor is especially sharp in the sections listing common words and phrases from centuries before, and their wildly creative definitions: "pedestrian: one who journeyed on foot; used as a term of abuse, as in `this is a very pedestrian plot.'" Or "yellow fever: the fear of colour." Toward the end of the book, Ackroyd creates a sense of how Plato's search for knowledge affects him as an individual, a welcome development in keeping the plot connected to the experimental narrative. Other elements are by turns highly intellectual, jokey, lofty and fragmented, but Ackroyd delivers a constant stream of surprising linguistic, satiric twists that many armchair cultural theorists will relish.
