Before We Get Started
A Practical Memoir of the Writer's Life
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- USD 3.99
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- USD 3.99
Descripción editorial
This marvelous guide begins where other books on writing and the writing life leave off. Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as
• why write? why keep writing?
• the importance of simple words
• the finer points of character detail
• narrative and the passage of time
• the pitfalls of technique
• making a plan–and letting it go
• risking failure–and reaping the benefits
• Accepting rejection
Writers travel alone, but Bret Lott’s book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can be: “Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one path: yours.”
PUBLISHERS WEEKLY
Lott was a little-known writer of literary fiction until Oprah Winfrey selected his then out-of-print novel Jewel for her TV book club, rocketing him into publishing's major leagues. In this candid memoir and literary handbook, Lott looks back to the hard times before Oprah, when he was forced to juggle raising a young family with a demanding teaching job that left him little time for writing. Recently named editor of the Southern Review, Lott offers via his reminiscences plenty of practical advice on the craft of writing, which for him is intricately bound up with observation and soulfulness. His hero is Raymond Carver, and his literary values echo those of the master; he urges writers to attend to the weight of every word, to the material reality of characters' daily working lives and to the handling of time. Beginning writers will appreciate the heartfelt supportiveness of his counsel as he imparts encouragement and insight. Of wider cultural interest is Lott's critique of the irony hawked by such writers as David Foster Wallace and of the so-called postironic Dave Eggers. Lott advances a case for a new and radically more hopeful genre of fiction. He imparts his own brand of wisdom on writing and the world of publishing with resounding candor and sincerity.
