Ocean State
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- USD 9.99
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- USD 9.99
Descripción editorial
Set in a working-class town on the Rhode Island coast, O’Nan’s latest is a crushing, beautifully written, and profoundly compelling novel about sisters, mothers, and daughters, and the terrible things love makes us do.
In the first line of Ocean State, we learn that a high school student was murdered, and we find out who did it. The story that unfolds from there with incredible momentum is thus one of the build-up to and fall-out from the murder, told through the alternating perspectives of the four women at its heart. Angel, the murderer, Carol, her mother, and Birdy, the victim, all come alive on the page as they converge in a climax both tragic and inevitable. Watching over it all is the retrospective testimony of Angel’s younger sister Marie, who reflects on that doomed autumn of 2009 with all the wisdom of hindsight.
Angel and Birdy love the same teenage boy, frantically and single mindedly, and are compelled by the intensity of their feelings to extremes neither could have anticipated. O’Nan’s expert hand paints a fully realized portrait of these women, but also weaves a compelling and heartbreaking story of working-class life in Ashaway, Rhode Island. Propulsive, moving, and deeply rendered, Ocean State is a masterful novel by one of our greatest storytellers.
PUBLISHERS WEEKLY
There's no mystery about what happens in this beautifully rendered and heartbreaking story from O'Nan (West of Sunset). In the opening pages, teenager Angel Oliviera murders another teen, Birdy Alves. O'Nan explores what led up to the killing and paints an intimate canvas of a small Rhode Island town in 2009. Women, teenage and adult, are the focal points and the narrators: Angel's observant younger sister, Marie, sets the stage, and Birdy, Angel, and Angel's mother, Carol, tell the story through a series of flashbacks and internal monologues. Birdy is dating Hector, but she's in a clandestine relationship with Angel's boyfriend. Angel frets about her mother's desperate attempts to find love. Carol wants a better life for her daughters, but senses it's "beyond her control" (the 2009 setting underscores the economic fragility). Social media serves as the ugly catalyst for the action that slowly, inexorably escalates. O'Nan evokes the feverish excitement of young love ("She only means to kiss him goodbye but they don't know how to stop") and the truly destructive force of jealousy. This isn't a crime novel; it's a Shakespearean tragedy told in spare, poetic, insightful prose.
