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Descripción de editorial
Consumed by her pursuit of a Theory of Everything, a brilliant California scientist struggles to deal with life in and outside the lab
Doctor Esme Charbonneau Tallich’s passion is cosmology, the science of the origin of the universe; specifically, she is searching for a TOE, or a Theory of Everything. Esme is a feminist maverick, a rogue thinker. Hired as a professor of molecular biology at the University of Greater California, she prefers the “bench science” of organic chemistry at one extreme and “walking out into space” at the other. Her marriage to a TV director and aspiring stand-up comedian is rocky. Esme’s five-year-old daughter, Ollie, the sun in her galaxy, seems an enigma. Too readily diagnosed by professionals as “challenged,” even possibly autistic, she is, like Esme, a renegade thinker and creative mind. Her use of language is poetic, not deficit driven or conventional.
As her marriage dissolves, Esme’s struggle to maintain custody of Ollie and autonomy for herself and her work is set against the backdrop of the beckoning cosmos. Her tantalizing closeness to discovery of a grand unified theory—as psychiatric professionals, lawyers, and Esme’s estranged husband also close in on Ollie, seeking to medicate and restructure her—heightens tension while also offering hope. The discovery that Esme seeks is twofold: enlightenment and equilibrium in the troubled universes of her personal and professional lives. Saving St. Germ is a provocative, dramatic look at a single mother’s life at the edge of the universe—and the center of the human heart.
Dukes follows up the entertaining but flawed Dear Digby with a more mature second novel, in which she continues her exploration of female creativity and eccentricity. As gifted scientist Esme Charbonneau Tallich nears a breakthrough in the formulation of a Theory of Everything, her behavior becomes increasingly bizarre. She is suspended from her job at a large California university after she neglects her teaching and research duties. Her fragile marriage to an aspiring stand-up comic deteriorates. Then her most vital relationship is threatened when her husband, Jay, agrees with the teachers and doctors who want to institutionalize their peculiar but gifted daughter Ollie, a five-year-old who spends most of her time observing the world from inside a cardboard box decorated to look like a television set. A series of ``Imaginary Lectures to Ollie,'' woven into the plot, enhance our understanding of the often-difficult Esme and her strong bonds to both her career and her daughter. This portrait of the artist as wife, mother and academic limns the semi-madness of a creative woman. It is engaging and irreverent, peopled by offbeat, sharply delineated characters. Long a highly regarded poet, Dukes has developed into a skilled novelist as well.