- USD 3.99
Descripción de editorial
Of especially naughty children it is sometimes said, "They must have been raised by wolves."
The Incorrigible children actually were.
Thanks to the efforts of Miss Penelope Lumley, their plucky governess, Alexander, Beowulf, and Cassiopeia are much more like children than wolf pups now. They are accustomed to wearing clothes. They hardly ever howl at the moon. And for the most part, they resist the urge to chase squirrels up trees.
Despite Penelope's civilizing influence, the Incorrigibles still managed to ruin Lady Constance's Christmas ball, nearly destroying the grand house. So while Ashton Place is being restored, Penelope, the Ashtons, and the children take up residence in London. Penelope is thrilled, as London offers so many opportunities to further the education of her unique students. But the city presents challenges, too, in the form of the palace guards' bearskin hats, which drive the children wild—not to mention the abundance of pigeons the Incorrigibles love to hunt. As they explore London, however, they discover more about themselves as clues about the children's—and Penelope's—mysterious past crop up in the most unexpected ways. . . .
In this humorous kickoff to the Incorrigible Children of Ashton Place series, Wood (My Life: The Musical) injects new life into the governess theme by charging genteel 15-year-old Penelope Lumley (educated at the Swanburne Academy for Poor Bright Females) with three wild children Alexander, Beowulf, and Cassiopeia who were raised in the woods and taken into the "care" of Lord Frederic Ashton and his selfish, superficial bride (the children are living in a barn when Penelope arrives). With a Snicketesque affect, Wood's narrative propels the drama; Penelope is a standout, often invoking the truisms of her school's founder ("The best way to find out how fast a horse can run is to smack it on the rump") while caring for the Incorrigibles named such so they won't be presumed Ashton's heirs. Despite the slapstick situations involving the children's disheveled appearance, pack behavior, and lack of language, the real barbarism comes from the Ashtons and a society that eagerly anticipates their failure. Though the novel ends a bit abruptly, the pervasive humor and unanswered questions should have readers begging for more. Final art not seen by PW. Ages 8 12.