A Floating Life
A Novel
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- 12,99 €
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- 12,99 €
Publisher Description
A Floating Life will delight lovers of Kafka, Murakami, and the magic realism of Gabriel García Márquez. A nameless narrator awakens to the muddle of middle age, no longer certain who or what he is. He finds himself at a party talking to a woman he doesn't know who proves to be his wife. Soon separated but still living in the same apartment, he is threatened by a litigious dachshund and saddled with a stubborn case of erectile dysfunction in a world that seems held together by increasingly mercurial laws and elusive boundaries. His relationship deepens with an elderly Dutch model maker named Pecheur whose miniature boats are erratically offered for sale in a hard-to-find shop called The Floating World. Enlivened by Pecheur's dream to tame the destructive forces of nature, the narrator begins to find his bearings. With quiet humor and wisdom, A Floating Life charts its course among images that surprise and disorient, such as a job interview in a steam room with a one-eyed, seven-foot-tall chef, a midnight intrusion of bears, and the narrator’s breast feeding of the baby he has birthed.
"Equal parts science fiction, magic realism, and hard-boiled detective story, A Floating Life is a dizzying journey . . . a seamless, spellbinding narrative in the lineage of Borges, Castaneda, and Philip K. Dick."—Kenneth Goldsmith, author of Uncreative Writing
PUBLISHERS WEEKLY
A nameless narrator bumbles through a series of bewildering nightmares linked only by the flimsiest narrative thread in Crawford's disjointed debut. The protagonist ricochets between two realities: in one, he is addled by mundane afflictions (e.g., erectile dysfunction) and finds work as an assistant in a shop called the Floating World, which specializes in model boats and miniature canal systems. The store's owner, Pecheur, dreams of using these models to harness the destructive power of the ocean for the good of humanity. The narrator's other reality is a shifting landscape wherein he awakes time and again from horrifying fantasies from a cage suspended above a bottomless pit to a ravenous family of talking bears. This is Crawford's approximation of the floating world, "the Buddhist concept of a world filled with pain came to mean the transient and unreliable nature of our world, how fleetingly it floats in the illusion of time," but the execution is buoyed more by concept than plot. It is an experiment in storytelling, but without motivated characters and dramatic tension, it fails to tell a story at all.
