The Concert
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- 8,99 €
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- 8,99 €
Publisher Description
A chilling portrait of life under Communist rule by Albania's most important writer
It's the 1970s and cracks are starting to appear in the alliance between China and its Communist cohort Albania. When an Albanian steps on the foot of a Chinese diplomat the tension cranks up – couriers between Tirana and Beijing carry annotated x-rays of the foot back and forth. The Chinese intend to punish their interfering little ally discreetly. But is the Sino-Albanian axis about to come adrift? This is Kadare’s surreal black comedy about the inner sanctums of political power and the mysterious causal chains that transform ordinary lives.
‘The Concert is a splendidly deep and serious novel that entirely transcends, as it were, its unremarkable outer garment… Kadare's achievement is to dramatise truthfully throughout. This is a book to read and re-read’ Guardian
PUBLISHERS WEEKLY
Set in the mid-1970s, as the alliance between Albania and Communist China unravels, this subversively inventive satire traces the impact of the zigzagging Albanian party line on the personal lives of a group of friends and associates. These include a jittery Albanian diplomat in Beijing, his jealously insecure wife, an establishment novelist who confronts ``the void inside him'' and a civil servant who writes an ``autocritique'' castigating himself for his petty-bourgeois mentality. A Kafkaesque subplot concerns an army officer who's arrested, apparently for refusing to obey an order. Albanian novelist Kadare ( The Palace of Dreams ), who lives in France, sketches a devastating portrait of Mao Zedong as a megalomaniac whose goal is ``the brainwashing of the human race.'' Historical figures like Zhou Enlai and genocidal Cambodian leader Pol Pot appear intermittently in an elliptic narrative spliced with dreams, officers' coerced confessions and short-short stories. China, depicted as a dystopia where simple human relations are stultified and surveillance is a way of life, becomes a mirror image of Albania through Kadare's mordantly ironic vision.
