2012
The year of the Mayan prophecy
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- 3,99 €
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- 3,99 €
Beschreibung des Verlags
2012 is a literary and metaphysical epic that binds together the cosmological phenomena of our time, ranging from crop circles to quantum theory to the worldwide resurgence of shamanism, supporting the Mayan prophecy that the year 2012 will bring an unprecedented global shift. In tracing the meaning of the prophetic Mayan 'end date' of 2012 to our present society, Daniel Pinchbeck draws together alien abductions, psychedelic visions, the current ecological crisis and other peculiar aspects of 21st century life into a new vision for our time. 2012 heralds the end of one way of existence and the return of another, in which the Mesoamerican God Quetzalcoatl returns, bringing with him an ancient - yet to us, wholly new - way of living. There are many hints, both in quantum theory and elsewhere, that humanity is precariously balanced between greater self-potential and environmental disaster. Pinchbeck's journey, which takes us from the endangered rainforests of the Amazon to Stonehenge in England, tells the story of a man in whose trials we recognise our own hopes and anxieties about modern life.
PUBLISHERS WEEKLY
Pinchbeck, journalist and author of the drug-riddled psychonaut investigation Breaking Open the Head, has set out to create an "extravagant thought experiment" centering around the Mayan prophecy that 2012 will bring about the end of the world as we know it, "the conclusion of a vast evolutionary cycle, and the potential gateway to a higher level of manifestation." More specifically, Pinchbeck's claim is that we are in the final stages of a fundamental global shift from a society based on materiality to one based on spirituality. Intermittently fascinating, especially in his autobiographical interludes, Pinchbeck tackles Stonehenge and the Burning Man festival, crop circles and globalization, modern hallucinogens and the ancient prophesy of the Plumed Serpent featured in his subtitle. His description of difficult-to-translate experiences, like his experimentation with a little-known hallucinogenic drug called dripropyltryptamine (DPT), are striking for their lucidity: "For several weeks after taking DPT, I picked up flickering hypnagogic imagery when I closed my eyes at night ... In one scene, I entered a column of fire rising from the center of Stonehenge again and again, feeling myself pleasantly annihilated by the flames each time." Pinchbeck's teleological exploration can overwhelm, and his meandering focus can frustrate, but as a thought experiment, Pinchbeck's exotic epic is a paradigm-buster capable of forcing the most cynical reader outside her comfort zone.
