A Dangerous Profession
A Book About the Writing Life
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- 10,99 €
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- 10,99 €
Beschreibung des Verlags
Frederick Busch has an enduring love affair with great books, and here he brilliantly communicates his passion to us all. Whether expounding on Melville or Dickens, or celebrating Hemingway or O'Hara, he explains what literature can ineffably reveal about our own lives. For Busch, there was no other recourse save the "dangerous profession;" it was to be his calling, and in these piercing essays, he demonstrates that we as a culture ignore the fundamental truths about fiction only at our own peril. With keen ruminations that recall the critcs of yore- Edmund Wilson, Lionel Trilling, and Irving Howe-Busch, in this era of moral indirection, has revealed how the literature of our past is the key to our survival in the future.
PUBLISHERS WEEKLY
Thought-provoking, honest and carefully considered, this reminiscence by novelist, critic and teacher Busch (Girls; Closing Arguments) will enhance any writer's--or reader's--reference library. The 16 chapters examine both quality fiction (Dickens, Melville, Thoreau, Hemingway, Graham Greene, John O'Hara, etc.) and Busch's writing life. Although Busch's reflections about other writers are spot on ("As ever, Dickens writes of memory; as ever, he seeks to state a long grudge or wound and then forgive or heal it; as ever, he cannot quite succeed"), what really galvanizes the reader are Busch's observations about writing as a career and his career in particular. The most rewarding essay here ("The Floating Christmas Tree") is a near flawless retrospective of his marriage, his early career and his sense of promise ("It was a most excellent Christmas because we were what we had dreamed to be--in love and undefeated in New York"). In a similar vein is his almost penitential description of the writer's wife: "Writers' wives are those women who not only receive the hourly report of shifts in the weather of the soul; they are the women to whom vows are made with as much frequency as to the wives of gamblers, alcoholics, drug addicts, and politicians." Busch captures the struggle to create worthwhile fiction while also earning a living by doing so: "money is a letter from the world to an author about his work." Think of a more cerebral version of Anne Lamott's Bird by Bird and you'll have some notion of this valuable hybrid, which combines heartfelt memoir with an ardent love of literature.
