A Death in Brazil
A Book of Omissions
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- 14,99 €
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- 14,99 €
Beschreibung des Verlags
Delving into Brazil's baroque past, Peter Robb writes about its history of slavery and the richly multicultural but disturbed society that was left in its wake when the practice was abolished in the late nineteenth century.
Even today, Brazil is a nation of almost unimaginable distance between its wealthy and its poor, a place of extraordinary levels of crime and violence. It is also one of the most beautiful and seductive places on earth. Using the art, food and the books of its great nineteenth-century writer, Machado de Assis, Robb takes us on a journey into a world like Conrad's Nostromo. A world so absurdly dramatic, like the current president Lula's fight for power, that it could have come from one of the country's immensely popular TV soap operas, a world where resolution is often only provided by death.
Like all the best travel writing, A Death in Brazil immerses you deep into the heart of a fascinating country.
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The death of the title refers to a recent event, but Times Literary Supplement writer Robb gets his mysterious subtitle most directly from Machado de Assis, a 19th-century Brazilian novelist considered at length for his ability to weave discussion of the nation's racial and economic disparities into his wildly popular serial fictions for women's magazines. The term's origins, however, are biblical; First and Second Chronicles were called "Omissions" because they contained information left out of the preceding Books of Kings. Although Robb tries to fill in some of the gaps in recent Brazilian history, he doesn't so much uncover new data on the spectacularly corrupt 1990 1992 presidency of Fernando Collor as pull together some of the many disparate sources. Collor's rise and fall, and the murder of his chief henchman, form a solid backbone for the book, but one from which Robb frequently wanders to ruminate on centuries of Brazilian history filled with eroticism and violent upheaval. He also recounts his own travels through modern Brazil, devoting as much attention to the sensual delights of buchada de bode (stuffed goat's stomach) as he does to a threatening encounter with the military police. The overall result is a bit of a jumble, but it's a delightful jumble: a Midnight in the Garden of Good and Evil with a Latin beat. At various points, Robb compares the unfolding Collor scandal to the soap opera staples of Brazilian television, and he's managed to capture the story's lurid surrealism with a deft, erudite touch.
