A Dying Light In Corduba
(Marco Didius Falco: book VIII): a fast-moving Roman mystery full of intrigue from bestselling author Lindsey Davis
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- 8,99 €
Beschreibung des Verlags
Another compelling and captivating historical mystery from the pen of multimillion-copy bestselling author Lindsey Davis. Ancient Rome is brought to life in all its humour, political manoeuvring and murderous intent...
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LIQUID GOLD, COMPROMISED BY A MURDEROUS CARTEL...
Nobody was poisoned at the dinner for the Society of Olive Oil Producers of Baetica, though in retrospect this was quite a surprise...
Inimitable sleuth Marcus Didius Falco is back with a vengeance. On one night, a man is killed and Rome's Chief of Spies left for dead. This leaves no one except Falco to conduct the investigation.
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Praise for Lindsey Davis:
'Davis' books make old Rome sound fun. . . it is all so enjoyable' The Times
'The cast of characters is as various, corrupt, nasty and gnarled as the best of Dickens, described with similar scope and loving attention' Mail on Sunday
'Highly readable, funny and colourful' TLS
'This is a more than five star book' ***** Reader review
'Another excellent Falco book that is difficult to put down' ***** Reader review
'Lindsey Davis produces yet another masterpiece' ***** Reader review
'A marvellous read' ***** Reader review
PUBLISHERS WEEKLY
In his latest engrossing case (following A Time to Depart, 1997), ancient Rome's preeminent sleuth, Marcus Didius Falco, explores political skulduggery that has a decidedly modern ring. After Chief Spy Anacrites is attacked and left for dead on the same night one of his agents is killed, Falco must untangle a knot of patrician Roman politics that winds from palace to province and encompasses economic malfeasance that might reach even to the Emperor. Under the aegis of Vespasian's Chief Clerk Laeta, Falco connects the assassins to the Society of Olive Oil Producers of Baetica. Tracing the group to Spain, Falco uncovers a plot with roots in Rome to form a cartel. The villains seem evident early, but the labyrinthine means Falco must employ to thwart them keep readers absorbed. As engaging and wryly insouciant as ever, Falco holds to his tested methodology of stirring up trouble to see what happens, while this time worrying about Helena Justina, his pregnant lover. The moments of high humor--including a scrimmage among a dog, a chicken and an ex-gladiator--are tempered by a sense that this is the beginning of the end for Rome and that Falco is doing all that one man can to hold off the night. Davis delivers another fast-moving narrative that makes ancient Rome feel as real as the streets of New York or L.A.
