A House Among the Trees
A Novel
-
- 9,99 €
Beschreibung des Verlags
From the National Book Award–winning author of Three Junes, a richly imagined novel that begins just after the sudden death of world-renowned children’s book author Mort Lear, who leaves behind a wholly unexpected will, an idyllic country house, and difficult secrets about a childhood far darker than those of the beloved characters he created for young readers of all ages.
Left to grapple with the consequences of his final wishes are Tommy Daulair, his longtime live-in assistant; Merry Galarza, a museum curator betrayed by those wishes; and Nick Greene, a beguiling actor preparing to play Lear in a movie.
When Nick pays a visit to Lear’s home, he and Tommy confront what it means to be entrusted with the great writer’s legacy and reputation. Tommy realizes that despite his generous bequest, the man to whom she devoted decades of her life has left her with grave doubts about her past as well as her future. Vivid and gripping, filled with insight and humor, A House Among the Trees is an unforgettable story about friendship and love, artistic ambition, the perils of fame, and the sacrifices made by those who serve the demands of a creative genius.
PUBLISHERS WEEKLY
When famed children's author Mort Lear falls to his death in a stubborn attempt to trim a wayward tree limb, he leaves behind an invaluable legacy of work and an even greater wealth of secrets. Glass (Three Junes) employs her trademark multilayered character studies and intricately woven time-jumping narrative to slowly unspool each thread connecting Mort's past to the lives of those he left behind. Tomasina "Tommy" Daulair, his long-term live-in assistant and the older sister of the boy Mort's most beloved character was modeled after, inherits everything including the burden of explaining the last-minute change in Mort's will to museum director Meredith Galarza, whose love for Mort's work is only exceeded by her obsession with the man himself. Tommy's attempts to navigate her grief and the complexities of her new duties are interrupted by an unwelcome visit from Oscar-winning actor Nicholas Greene, eager to research his next role: a biopic covering the most dramatic periods of Mort's life. Nick, to Tommy's dismay, arrives with fresh information about Mort's past that shows how little she, or any of his loved ones, truly knew him. Unfortunately, Glass demonstrates more skill in building anticipation than in following through with satisfying revelations. Her use of a fragmented, narrative-hopping timeline overwhelms the characters themselves, leaving them as obscure as Mort's secrets.
