A Murder in Mayfair
A Novel of Suspense
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- 11,99 €
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- 11,99 €
Beschreibung des Verlags
Can the rich get away with murder, or is there always a price? Two days in May bring Colin Pinnock’s career to a peak. His party wins a stunning election victory and he wins a new government office. What a pity that among the congratulations pouring in lurks one grubby card asking: “Who do you think you are?” Is this someone trying to put him down a peg, or is it someone holding damaging information? As he probes, he’s led back in time to an old political scandal and a murder case ushering a politician out of office, and out of sight ever after. Soon events in the present start tangling with those of the past and Colin finds himself facing something worse than the toppling of his career; his life is in danger. Barnard mixes fact with surmise from an actual 1980s murder case to great effect.
PUBLISHERS WEEKLY
Shortly after accepting a junior ministerial post in the Labor government that came to power in the last British general election, MP Colin Pinnock receives a postcard bearing the stark question: "Who Do You Think You Are?" As this literate mystery thriller unfolds, it becomes clear that the author of this cryptic message is less concerned with Colin's getting above himself than with his looking into his origins. Learning that he was adopted causes Colin scarcely a jolt, but it's quite another thing to discover that his real father might have been Lord John Revill, who disappeared in 1962 after apparently murdering his wife. By all reports, Lord John had been having an affair with his children's sexy Australian nanny. At 35, Colin is just the right age to be the offspring of this illicit liaison. Barnard, an eight-time Edgar Award finalist, presents a sympathetic protagonist and a compelling human tale with his customary subtlety and economy. Revelations, each more or less surprising, arrive at regular intervals, while the big questions--what was really going on in the Revill household before the murder and who is sending Colin increasingly serious threats--are fully answered only at the end. The good characters are all thoroughly decent chaps, while at the climax the villain, who is more mad than bad, pulls out a knife, not a gun. This understated British melodrama is as comforting as a nice cuppa.
