A Spell of Winter
WINNER OF THE WOMEN'S PRIZE FOR FICTION
-
-
2,0 • 1 Bewertung
-
-
- 8,99 €
-
- 8,99 €
Beschreibung des Verlags
WINNER OF THE WOMEN'S PRIZE FOR FICTION
'Tense, dark and intensely gripping . . . written so seductively that passages sing out from the page ' Sunday Times
Cathy and her brother, Rob, don't know why they have been abandoned by their parents. Alone in their grandfather's decaying country house, they roam the wild grounds freely with minds attuned to the rural wilderness. Lost in their own private world, they seek and find new lines to cross.
But as the First World War draws closer, crimes both big and small threaten the delicate refuge they have built. Cathy will do anything to protect their dark Eden from anyone, or anything, that threatens to destroy it.
'An electrifying and original talent, a writer whose style is characterized by a lyrical, dreamy intensity' Guardian
'Stops you in your tracks with the beauty of its writing' Observer
'Has a strong and sensuous magic' The Times
'Her spellbinding, lyrical prose is close to poetry' Daily Mail
PUBLISHERS WEEKLY
Unsettling love and stifled horror create and then destroy the claustrophobic world of this lush, literary gothic set in turn-of-the-century England. Catherine and Rob Allen, siblings two years apart, grow up in a world of shameful secrets. Their mother creates a public outcry, abandoning her family for a bohemian life on the Continent. Their father, whose mental state always has been slightly precarious, is committed to an asylum in the country. The children are sealed off with their grandfather in a crumbling country estate accompanied by their sturdy and well-loved servant, Kate, and the predatory tutor, Miss Gallagher. In true gothic fashion, terror, violence and eroticism collect beneath every dark surface. Against this strange and secretive backdrop, Cathy and Rob develop a closeness so fierce that it eventually threatens to smother them both. Kate makes the first crack in their hermetically sealed world, which World War I eventually bursts wide open. With Kate's departure for Canada and Rob's for the front, destitute times at home force Cathy into self-reliance. It's only after she's redeemed by hardship that she's given a second chance to be redeemed by love. Though the setting is classic gothic, the novel is peculiarly modern with its precise, unforgiving depictions of childhood and madness, its dark sensuality and surprising, artful use of metaphor. The intensity and darkness of the world Dunmore creates teeters between gripping and overwrought; some may find the story heavy-handed. Still, Dunmore's keen, close writing is deserving of Britain's prestigious Orange Prize, which the novel won when it was first published in the U.K. in 1995, and most will enjoy the book as a finely crafted, if disturbing, literary page-turner.
