A Twist in Time
A Novel
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- 12,99 €
Beschreibung des Verlags
When Kendra Donovan’s plan to return to the 21st century fails, leaving her stranded in 1815, the Duke of Aldridge believes he knows the reason—she must save his nephew, who has been accused of brutally murdering his ex-mistress.
Former FBI agent Kendra Donovan’s attempts to return to the twenty-first century have failed, leaving her stuck at Aldridge Castle in 1815. And her problems have just begun: in London, the Duke of Aldridge’s nephew Alec—Kendra’s confidante and lover—has come under suspicion for murdering his former mistress, Lady Dover, who was found viciously stabbed with a stiletto, her face carved up in a bizarre and brutal way.
Lady Dover had plenty of secrets, and her past wasn’t quite what she’d made it out to be. Nor is it entirely in the past—which becomes frighteningly clear when a crime lord emerges from London’s seamy underbelly to threaten Alec. Joining forces with Bow Street Runner Sam Kelly, Kendra must navigate the treacherous nineteenth century while she picks through the strands of Lady Dover’s life.
As the noose tightens around Alec’s neck, Kendra will do anything to save him, including following every twist and turn through London’s glittering ballrooms, where deception is the norm—and any attempt to uncover the truth will get someone killed.
PUBLISHERS WEEKLY
McElwain's lackluster sequel to 2016's A Murder in Time finds 26-year-old FBI profiler Kendra Donovan still stuck in 1815 Britain, to which she was transported from 2015 America via an unexplained "wormhole" in time. Longing to return to her own era and irritated by Regency mores, Kendra finds an outlet for her restlessness when Lady Cordelia Dover is stabbed to death in her London townhouse. The onetime mistress of Alexander Morgan, the Marquis of Sutcliffe, Cordelia was a widow whose dramatic sexual liaisons offer motives aplenty for her murder. Kendra, who has begun her own love affair with Alec, hopes to save him from being charged with the crime. Kendra joins with his uncle, her patron the Duke of Aldridge, to investigate the victim's resentful stepson, the married lover whose family she humiliated, and a violent figure from her hidden past. Copious period jargon and explanations notwithstanding, the depiction of Regency actions and attitudes is consistently anachronistic, and McElwain explores neither the time travel aspects nor the emotions of the story in satisfying depth.)
