After the Falls
Coming of Age in the Sixties
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- 11,99 €
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- 11,99 €
Beschreibung des Verlags
The vivid and touching sequel to the bestselling memoir Too Close to the Falls.
It's 1960 and twelve-year-old Cathy McClure has just been thrown out of Catholic school for-among other transgressions-filling the holy water fount with vodka. In the hopes of giving Cathy a fresh start away from their small town, the McClures leave behind Niagara Falls and the family pharmacy to start over in suburban Buffalo. But life in a subdivision and a school filled with "pubescent cheddar" holds little appeal for a girl who began working at four and smoking at nine. As the quaint world of 1950s America recedes into history, Cathy dives headfirst into the 1960s. Along the way, she adopts many personas with gusto-vandal, HoJo hostess, FBI suspect, civil rights demonstrator- but when tragedy strikes at home, Cathy must take on her most challenging role yet.
As candid and compelling as Mary Karr's The Liars' Club and Jeanette Walls's The Glass Castle, After the Falls is an irresistible account of one girl's comingof-age during a tumultuous era and the moving tale of a rebellious spirit learning what it means to be a daughter.
PUBLISHERS WEEKLY
At age 12, Gildiner and her family moved from their Niagara Falls home to a Buffalo suburb, leaving behind a family business, smalltown contentment, and the rebellious childhood chronicled in her first memoir, Too Close to the Falls. While her uprooted parents struggle to adjust, Gildiner stumbles in making new friends and edging into puberty. Her restlessness and a fundamentally outspoken and argumentative nature regularly catapult her further than simple teenage trouble, and she frequently fails at the standard American girlhood, often with comic results. The conflicts between the narrator's individuality and conformity propel her into her first relationship at the same time that the seismic shifts in American society, culture, and politics hit home with ever-increasing force. On the page as in life, comedy, tragedy, and elegy live right on top of each other, and as with most remarkable memoirs, the straightforward, honest voice and perspective are steady even in the most painful moments.
