Ancient Light
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- 8,99 €
Beschreibung des Verlags
John Banville's Ancient Light is a story of obsessive young love and the power of grief
'Billy Gray was my best friend and I fell in love with his mother.'
In a small town in 1950s Ireland a fifteen-year-old boy has illicit meetings with a thirty-five-year-old woman - in the back of her car on sunny mornings, and in a rundown cottage in the country on rain-soaked afternoons. Unsure why she has chosen him, he becomes obsessed and tormented by this first love. Half a century later, actor Alexander Cleave - grieving for the recent loss of his daughter - recalls these trysts, trying to make sense of the boy he was and of the needs and frailties of the human heart.
Praise for Ancient Light:
'Brilliant. Banville excels in his brightly lit descriptions of self-absorbed teenage lust', Guardian
'Dazzling . . . captures a long-lost adolescent world of passion and desire', Independent
'Banville perfectly captures the spirit of adolescence ... This is a luminous breathtaking work', Independent on Sunday
John Banville was born in Wexford, Ireland, in 1945. He is the author of fourteen previous novels including The Sea, which won the 2005 Man Booker Prize. He was recently awarded the Franz Kafka Prize. He lives in Dublin.
PUBLISHERS WEEKLY
In Man Booker Prize-winner Banville's 16th novel, the Irish author reprises the character of Alex Cleave, who first appeared in 2000's Eclipse, and then two years later in Shroud. Cleave, a has-been theater actor, reminisces about his 15th summer, "half a century ago," when he had an affair with his best friend's mother, Mrs. Gray, who, he tells us, was "unhappy then," lest readers judge her too harshly for bedding a minor. Interwoven with this vividly drawn summer is Cleave's current existence, which is saturated with pain and regret: His daughter, Cass, flung herself off the Italian coast 10 years ago, and his wife, Lydia, still sleepwalks in the night to rampage through the house in search of her. When, out of the blue, Cleave is offered a role in a biopic of literary critic Axel Vander entitled The Invention of the Past, life and art intertwine beguilingly for Alex, who is engaged in the tricky business of inventing his own past; how is he to unravel the strands of his existence when memory is such an unreliable muse? The problem with this book is that the past is beautifully perfectly imagined; it's Alex's over-determined present that's unbelievable. First printing: 60,000.
