Atop an Underwood
Early Stories and Other Writings
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- 7,99 €
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- 7,99 €
Beschreibung des Verlags
An “indispensable” (Chicago Tribune) collection of more than sixty previously unpublished works from Jack Kerouac, ranging from stories and poems to plays and excerpts of novels
“Fascinating . . . provides a poignant picture of a life brimming with promise.”—The Boston Globe
Before Jack Kerouac expressed the spirit of a generation in his classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together works that Kerouac wrote before he was twenty-two years old, including an excerpt from The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences, including the source of his spontaneous prose style.
Uncovering a fascinating missing link in Kerouac’s development as a writer, Atop an Underwood is essential reading for Kerouac fans, scholars, and critics alike.
PUBLISHERS WEEKLY
"I am part of the American temper, the American temperament, the American tempo," writes a teenage Kerouac in a prophetic 1941 prose fragment, one of the 60 such pieces in this collection of Kerouac's juvenilia. These fugitive pieces, previously unpublished, provide a tantalizing glimpse of the future Beat generation originator, spanning Kerouac's adolescence and his first years in New York. The themes here would later find expression in On the Road and the Duluoz series: his French-American heritage, with its idiosyncratic English; his mystical identification with America; and, taking cues from Whitman, his vision of art as a means to unfold the authenticity of the self. The best pieces are the short sketches written in Hartford in 1941. Kerouac crafts, diary-style, a catalogue of daily activities (working in a cookie factory, living in a cheap apartment) while experimenting with the rhythms and forms he derived from his reading of Thomas Wolfe and William Saroyan. In the early '40s, Kerouac lived in several diverse social spheres. He worked in Hartford, attended Columbia University on a football scholarship, was kicked out of Columbia, enlisted in the Merchant Marines and simply bummed around. It is evident that radio had an overlooked influence on Kerouac's style. A piece like "Howdy," which begins, "Howdy. This is Jack Kerouac, speaking to you," obviously takes its formal cues from radio broadcasts. The last section of the book is less interesting, excerpting a section of a novel Kerouac wrote about the Merchant Marines. Although this book shouldn't be a starting place for new Kerouac readers, there is enough real Kerouac bebop here to interest even his more casual fans. FYI: The publication of this collection will coincide with the publication of the second volume of Kerouac's selected letters.
