Bright Young People
The Rise and Fall of a Generation 1918-1940
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- 12,99 €
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- 12,99 €
Beschreibung des Verlags
Bright Young People/ Making the most of our youth/ They talk in the Press of our social success/ But quite the reverse is the truth. [Noel Coward]
The Bright Young People were one of the most extraordinary youth cults in British history. A pleasure-seeking band of bohemian party-givers and blue-blooded socialites, they romped through the 1920s gossip columns. Evelyn Waugh dramatised their antics in Vile Bodies and many of them, such as Anthony Powell, Nancy Mitford,Cecil Beaton and John Betjeman, later became household names. Their dealings with the media foreshadowed our modern celebrity culture and even today,we can detect their influence in our cultural life.
But the quest for pleasure came at a price. Beneath the parties and practical jokes was a tormented generation, brought up in the shadow of war, whose relationships - with their parents and with each other - were prone to fracture. For many, their progress through the 'serious' Thirties, when the age of parties was over and another war hung over the horizon, led only to drink, drugs and disappointment, and in the case of Elizabeth Ponsonby - whose story forms a central strand of this book - to a family torn apart by tragedy.
Moving from the Great War to the Blitz, Bright Young People is both a chronicle of England's 'lost generation' of the Jazz Age, and a panoramic portrait of a world that could accommodate both dizzying success and paralysing failure. Drawing on the writings and reminiscences of the Bright Young People themselves, D.J. Taylor has produced an enthralling social and cultural history, a definitive portrait of a vanished age.
PUBLISHERS WEEKLY
Fans of Evelyn Waugh's Vile Bodies and Decline and Fall will recognize the glittering world of the "Bright Young People", the London socialites of the 1920s who had their costume parties and other exploits celebrated (and excoriated) in the tabloid media. Taylor, a literary critic and biographer, acknowledges that this crowd which included Cecil Beaton and Nancy Mitford were the Britney Spears and Paris Hilton of their day, but doesn't belabor the point excessively. Taylor's account is not so much a straightforward history as a bundle of thematic essays arranged chronologically; one chapter, for example, discusses the ways some gay "Brights" were able to avoid much of the repression prevalent throughout British society at the time, while another covers the themes of the fiction that came out of the scene. There are still plenty of juicy anecdotes to go around, although Taylor says that reports of drug-fueled orgies are "exaggerated," and points out that Britain in the 1920s was a tightly regulated society. The text is enlivened by several Punch cartoons from the period, vividly depicting the hold these rich young partygoers once held on the public's imagination.
