Can't Buy Me Love
The Beatles, Britain, and America
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- 3,99 €
Beschreibung des Verlags
Jonathan Gould's Can't Buy Me Love is more than just a book on the Beatles; it's a stunning recreation of the 1960s in England and America through the prism of the world's most iconic band. The Beatles, perhaps more than any act before or since, were a quintessential product of their time, and Gould brilliantly blends cultural history, musical analysis and group biography to show the unique part they played in the shaping of post-war Britain and America. Gould examines the influence of R&B, rockabilly, skiffle and Motown as the Fab Four forged a sound of their own; he illuminates the mercurial relationship the most productive and lucrative in recording music history between John Lennon and Paul McCartney; he critiques the songs they played and the movies they made, and their impact on competing bands and musicians, as well as on fashion, hairstyles, and humour; and he shows how events on both sides of the Atlantic created exactly the right cultural climate for the biggest music phenomenon of 20th century. Beautifully written, insightful, and wonderfully evocative, this is a magisterial biography by a popular historian of the very first rank.
PUBLISHERS WEEKLY
SignatureReviewed by Mark RotellaAs a teenager, I collected every album the Beatles put out, starting with their first U.S. release, 1964's Meet the Beatles, to their last, Let It Be, in 1970. As Paul sang "Mother Mary comes to me/ speaking words of wisdom," I heard the wisdom of an aged sage.But as Jonathan Gould states in his brilliant biography of the Beatles, the band had "effectively ended before any of them had reached the age of thirty." There have been several biographies of the band (including two outstanding ones, Bob Spitz's The Beatles and Devin McKinney's Magic Circles:The Beatles In Dream and History), but Gould leaves the gossip to others and instead relies on their music to tell the story, starting with the early days as a band in Liverpool (with Paul McCartney on guitar and Stuart Sutcliffe on bass) to the recordings at the Abbey Road studios in London (where Yoko became everpresent and George stormed out threatening to quit). They got their start in Hamburg, Germany, and were soon managed by a young, eager former furniture salesman named Brian Epstein, and produced by George Martin, a recording executive known for novelty records.Gould, a former musician, has written an engrossing book, both fluid and economical (aside from one overlong section on the concept of "charisma"). Page after page, you can hear the music; Gould's deft hand makes the book sing. This is music writing at its best."It begins with a musical wake-up call," Gould writes of "A Hard Day's Night" "the harsh clash of a solitary chord that hangs in the air for an elongated moment, its densely packed notes swimming into focus like eyes adjusting to the light." On "Here Comes the Sun," Gould describes George's music, written as he became more steeped in Indian philosophy amidst turmoil within the band, as "rays of sun cutting across the melting ice of winter... of coming through a long and arduous experience and emerging whole at the end."Focusing on the Beatles' influences, musical (Elvis, Chuck Berry, Bob Dylan, the Beach Boys) and otherwise (marijuana, LSD, the Maharishi Mahesh yogi), Gould elucidates the mystery of the band that changed the course of Western popular music. Mark Rotella, senior reviews editor at Publishers Weekly, is the author of The Saloon Singers, about the great Italian-American crooners, to be published by FSG in 2008.
