Chilean Poet
A Novel
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4,0 • 1 Bewertung
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- 8,99 €
Beschreibung des Verlags
A NEW YORKER BEST BOOK OF THE YEAR
A WALL STREET JOURNAL TOP 10 BOOK OF THE YEAR
ONE OF NPR’S “BOOKS WE LOVE”
“A tender and funny story about love, family and the peculiar position of being a stepparent…[Chilean Poet] broadens the author’s scope and quite likely his international reputation.” —Los Angeles Times
“Zambra [is] one of the most brilliant Latin American writers of his generation.” —The New York Review of Books
“Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own.” —Juan Vidal, NPR.org
A writer of “startling talent” (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a family
After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language.
Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets—not the famous, dead kind, your Nerudas or Mistrals or Bolaños, but rather the living, striving, everyday ones. Pru’s research leads her into this eccentric community—another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other?
In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments—sexy, absurd, painful, sweet, profound—that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships—a partner, father, stepfather, teacher, lover, writer, and friend—it is a bold and brilliant new work by one of the most important writers of our time.
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Chilean writer Zambra (Multiple Choice) is best known in English for his experimental stories and novellas, tendencies he sheds to mixed results in this multigenerational story about South American poets. The reader first meets Gonzalo in 1991, when he is a teenager working out his first poems and his love for the beautiful Carla, who breaks up with him. Nine years later, the two meet by chance in Santiago, by which time Carla has a precocious son named Vicente. Nominally more responsible than the boy's birth father, Gonzalo becomes a de facto stepfather to Vicente. In the second half, Zambra covers Vicente's teenage years and his early efforts as a poet as he becomes entangled at 18 with an American journalist named Pru, 31, who has fled an abusive relationship to write a history of Chilean poetry, and with a duplicitous fellow poet, Pato López López ("You guys are like Bolaño characters," Pru says of them). Eventually, Gonzalo and Vicente's paths cross again, reuniting them as a surrogate family of poets. The painstaking details and plodding pace can make this a slog, but there's no questioning Zambra's deep affection for writers grasping at love. The author always shows a great deal of heart, but it comes through best in his shorter work.
