Chopin's Funeral
-
- 9,49 €
-
- 9,49 €
Beschreibung des Verlags
Frédéric Chopin’s reputation as one of the Great Romantics endures, but as Benita Eisler reveals in her elegant and elegiac biography, the man was more complicated than his iconic image.
A classicist, conservative, and dandy who relished his conquest of Parisian society, the Polish émigré was for a while blessed with genius, acclaim, and the love of Europe’s most infamous woman writer, George Sand. But by the age of 39, the man whose brilliant compositions had thrilled audiences in the most fashionable salons lay dying of consumption, penniless and abandoned by his lover. In the fall of 1849, his lavish funeral was attended by thousands—but not by George Sand.
In this intimate portrait of an embattled man, Eisler tells the story of a turbulent love affair, of pain and loss redeemed by art, and of worlds—both private and public—convulsed by momentous change.
PUBLISHERS WEEKLY
Biographer Eisler, whose last book was on Byron, has moved to much more heavily trodden ground with this one, and it is to her credit that she manages to make the brief arc of the exiled Polish composer's life so affecting. She begins with a journalistic close-up of Chopin's funeral, which ironically was a lavish affair, though in his last months of sickness he was neglected by most of his society friends. Eisler then proceeds to the familiar story of his triumphant arrival on the Paris scene and the swift liaison with the notorious George Sand. Wisely skipping over the couple's disastrous and endlessly dramatized winter together on Majorca, Eisler focuses her well-researched attention on the closing years of the composer's life. She has an excellent chapter on Chopin's unhappy time in England and Scotland; and she writes with real vigor and sympathy of the byzantine family politics that embroiled the Sand household, both at the country retreat Nohant and in Paris, where the novelist turned away from her daughter Solange and rested her hopes on her far less worthy son, Maurice. In the end it was Solange who comforted the dying composer after Sand had ruthlessly thrust him from her life. Chopin's failings his rigid conservatism and snobbishness, his political timidity and frequent financial selfishness are made clear; but Eisler, deeply sympathetic to the quality of the music, also shows that he never ceased to struggle, despite perpetual illness, to expand his extraordinary gift into areas where no musician had previously ventured. The book adds little to the sum of Chopin scholarship, but is a skillfully written and mercifully brief overview that hits the right notes.
