Clara and Mr. Tiffany
A Novel
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- 4,49 €
Beschreibung des Verlags
NATIONAL BESTSELLER
It’s 1893, and at the Chicago World’s Fair, Louis Comfort Tiffany makes his debut with a luminous exhibition of innovative stained-glass windows that he hopes will earn him a place on the international artistic stage. But behind the scenes in his New York studio is the freethinking Clara Driscoll, head of his women’s division, who conceives of and designs nearly all of the iconic leaded-glass lamps for which Tiffany will long be remembered. Never publicly acknowledged, Clara struggles with her desire for artistic recognition and the seemingly insurmountable challenges that she faces as a professional woman. She also yearns for love and companionship, and is devoted in different ways to five men, including Tiffany, who enforces a strict policy: He does not employ married women. Ultimately, Clara must decide what makes her happiest—the professional world of her hands or the personal world of her heart.
PUBLISHERS WEEKLY
Vreeland (Luncheon of the Boating Party) again excavates the life behind a famous artistic creation in this case the Tiffany leaded-glass lamp, the brainchild not of Louis Comfort Tiffany but his glass studio manager, Clara Driscoll. Tiffany staffs his studio with female artisans a decision that protects him from strikes by the all-male union but refuses to employ women who are married. Lucky for him, Clara's romantic misfortunes her husband's death, the disappearance of another suitor insure that she can continue to craft the jewel-toned glass windows and lamps that catch both her eye and her imagination. Behind the scenes she makes her mark as an artist and champion of her workers, while living in an eclectic Irving Place boarding house populated by actors and artists. Vreeland ably captures Gilded Age New York and its atmosphere robber barons, sweatshops, colorful characters, ateliers but her preoccupation with the larger historical story comes at the expense of Clara, whose arc, while considered and nicely told, reflects the times too closely in its standard-issue woman-behind-the-man scenario.
