Dance with Demons
The Life Jerome Robbins
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- 4,99 €
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- 4,99 €
Beschreibung des Verlags
The first biography of the celebrated Broadway and Hollywood choreographer and director—a complex man of extraordinary genius and overwhelming demons.
His work on such legendary shows as The King and I, West Side Story, Gypsy, Funny Girl, and Fiddler on the Roof made him one of the most influential and creative forces in the history of American theater. His collaborators, friends, and enemies were among the greatest celebrities of stage and screen, including Barbra Streisand, Bette Davis, Stephen Sondheim, Natalie Wood, Montgomery Clift, and Mary Martin. His brilliant contribution to the American Ballet Theater and the New York City Ballet established him as one of the century’s great choreographic masters of the form. But in 1998, Jerome Robbins died a haunted man.
All of his life, he was tortured by private demons: his conflicted feelings about his bisexuality and his Judaism; his bitter relationship with his parents; his betrayals of others during the McCarthy hearings; and a demanding perfectionism that bordered on the sadistic. Now, this groundbreaking biography, based on hundreds of interviews with friends, family, and colleagues, provides the first complete portrait of the man and the artist—a harrowing, heartbreaking, and triumphant work as complicated and fascinating as the legend himself.
PUBLISHERS WEEKLY
Choreographic and theatrical genius Jerome Robbins was born in 1918 in New York City into a materially comfortable but emotionally bleak Jewish immigrant family in New York City. Lawrence (who coauthored Gelsey Kirkland's Dancing on My Grave) points to this emotionally bereft childhood and paternal disapproval ("My son's a fag how can I talk to him?" was reportedly his father's attitude), as well as Robbins's struggles with his Jewish heritage, his sexuality and, most famously, his decision to name names before the House Committee on Un-American Activities in the 1950s, as the definitive aspects of Robbins's life and creative legacy. The sum total of Robbins's work as reported here is staggering; his decades at the heart of the golden ages of American ballet, musical theater, theater and film, as director or choreographer, often in collaboration with such giants as Leonard Bernstein and George Balanchine, left the American public a cultural gold mine. Lawrence interviewed hundreds of dancers, actors, directors, family members and other contemporaries all, whether they loved or hated him, recognized both Robbins's genius and his clearly tortured soul. Most of the remarks herein tell us far more about the speaker than about the subject, but as such, they form an indelible picture of the various eras during which Robbins worked (he was active almost until his death in 1998). Robbins himself made numerous attempts over the years to write his own autobiography, only to abandon them repeatedly when the emotional cost became too great. In the end, Lawrence's account, though comprehensive and lively, can only give us a solid picture of Robbins's times and contemporaries the man himself remains a mystery. Illus. not seen by PW.
