Death and Mr Pickwick
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- 12,99 €
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- 12,99 €
Beschreibung des Verlags
Shortlisted for the HWA Goldsboro Debut Crown
It is 31 March 1836. A new monthly periodical is launched entitled The Posthumous Papers of the Pickwick Club. Conceived and created by the artist Robert Seymour, it contains four of his illustrations. The words to accompany them are written by a young journalist, under the pen-name Boz. The journalist's real name is Charles Dickens.
The Pickwick Papers soon becomes a phenomenal, unprecedented sensation, read and discussed by the entire British Isles. Before long, its success is worldwide.
Stephen Jarvis's novel tells of the dawning of the age of global celebrity. It is a story of colossal triumph and of the depths of tragedy, based on real events - and an expose of how an ambitious young writer stole another man's ideas.
PUBLISHERS WEEKLY
In this astounding first novel, Jarvis re-creates, in loving and exhaustive detail, the writing and publication of Charles Dickens's first novel, The Posthumous Papers of the Pickwick Club, in 1836. Written under the pen name Boz, Pickwick made Dickens perhaps the first literary celebrity. But who deserves credit for creating Pickwick, the book's protagonist: Dickens, the man who created the text, or Robert Seymour, the caricaturist who came up with the name and the graphic image of the rotund Englishman? Jarvis is clearly on the side of Seymour and the book offers an impressively imagined account of Seymour, Dickens, and a huge host of others (the sheer scale of the book is, itself, Dickensian). This picaresque novel is structured with a framing story a conversation between a present-day narrator and a Mr. Imbelicate, who wants assistance in writing the results of his life's research on Dickens's "immortal book." Jarvis depicts a world in which popular culture was starting to mesh with the earliest forms of mass communications (print, magazines, and books). He convinces readers that, in Seymour's day, the image trumped the printed word, but Dickens and the wild success of Pickwick changed that. While Jarvis makes a powerful case for Seymour as the character's creator, it seems undeniable that Dickens's literary talents turned that creation into a phenomenon. The book is very long, and some may find some of its detours a bit wayward, but it is a staggering accomplishment, a panoramic perspective of 19th-century London and its creative class.
