Dorian
An imitation
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- 8,99 €
Beschreibung des Verlags
Dorian - Will Self's brilliant 'imitation' of Oscar Wilde's original tainted love story
'Brutal, savage, infinitely readable' Observer
'Chilling, hysterical, tasteless and haunting. A Gothic thriller complementing and enriching its original' Independent on Sunday
In the summer of 1981, aristocratic, drug-addicted Henry Wooten and Warhol-acolyte Baz Hallward meet Dorian Gray. Dorian is a golden adonis - perfect, pure and (so far) deliciously uncorrupted. The subject of Baz's video installation, Cathode Narcissus, and the object of Henry's attentions, Dorian is launched on a hedonistic binge that spans the '80s and '90s. But as Baz and Henry succumb to the disease du jour, how is it that Dorian, despite all his sexual and narcotic debauchery, remains so unsullied - so vibrantly alive?
'A book that filled its first reviewers with "the odour of moral and spiritual putrefaction" just got smellier, darker and funnier' Observer
Dorian will be adored by fans of Will Self and Martin Amis and is an essential read for those who enjoyed The Picture of Dorian Gray.
Will Self is the author of nine novels including Cock and Bull; My Idea of Fun; Great Apes; How the Dead Live; Dorian, an Imitation; The Book of Dave; The Butt; Walking to Hollywood and Umbrella, which was shortlisted for the Man Booker Prize. He has written five collections of shorter fiction and three novellas: The Quantity Theory of Insanity; Grey Area; License to Hug; The Sweet Smell of Psychosis; Design Faults in the Volvo 760 Turbo; Tough, Tough Toys for Tough, Tough Boys; Dr. Mukti and Other Tales of Woe and Liver: A Fictional Organ with a Surface Anatomy of Four Lobes. Self has also compiled a number of nonfiction works, including The Undivided Self: Selected Stories; Junk Mail; Perfidious Man; Sore Sites; Feeding Frenzy; Psychogeography; Psycho Too and The Unbearable Lightness of Being a Prawn Cracker.
PUBLISHERS WEEKLY
In this retelling of Oscar Wilde's The Picture of Dorian Gray, most of the original's characters are cleverly transmuted into their late-20th-century counterparts: dissolute Henry Wotton, now openly homosexual with a nasty heroin habit; his prot g , eager young video artist "Baz" Hallward; and the title character, the quintessential amoral narcissist and a "seducer par excellence" (of men and, occasionally, women). In the summer of 1981, Hallward captures Gray's youth and beauty in a video installation that he titles "Cathode Narcissus." He and Wotton take Gray under their wing and school him in the ways of profligate London living, early '80s-style. By 1997, all three are HIV-positive, though Dorian, of course, shows no sign of illness. Self uses Wilde's plot to examine post-Stonewall gay life, from its drug-fueled hedonistic excesses to the reckoning of the AIDS epidemic. The novel skewers every layer of British society street hustlers, members of Parliament and the idle rich. Real-life figures also appear, most notably the "princess of bulimia," Diana Spencer. The prose is laced with epigrammatic, lightly amusing pseudo-Wildean wit ("I want my sins to be like sushi fresh, small and entirely raw," says Wotton), but its wordplay and evocation of debauchery also owe something to Evelyn Waugh and Martin Amis (channeling Hunter Thompson and Irvine Welsh). Self's mannered prose can grow tedious, and there's hardly a sympathetic character to be found, but the writer has undertaken and largely succeeded in pulling off a daring act of literary homage.
