Ghostgirl
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- 3,99 €
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- 3,99 €
Beschreibung des Verlags
It's the first day of the rest of Charlotte's life. She isn't going to be invisible any more. And she's not going to stop at just getting noticed, she's determined that she'll be envied! Much to Charlotte's surprise her plan actually seems to be working: Petula, the most popular girl at school has finally acknowledged her existence and her lab partner for the rest of the term is none other than Damen Dylan, school heart-throb and object of Charlotte's desire. It's only a matter of time before she's accepted into their elite circle . . . that is until, in her excitement, Charlotte chokes to death on a gummy bear. So, OK, it's the first day of the rest of Charlotte's death - why should that change her plans?
PUBLISHERS WEEKLY
Hurley, an independent filmmaker, debuts with this glittering comedy, a prime exemplar of what might be called demento mori, a growing subgenre of satire about teens who will not or cannot die. Charlotte Usher's plan to catapult herself from the ranks of the invisible to the heights of popularity at Hawthorne High no possibility for allusion goes unturned hits a major snag on the first day of school when she chokes to death on a gummy bear. Sent to Deadiquette school along with other teen spirits, she skips out, still determined to woo her longtime heartthrob, never mind that "he doesn't even know I'm alive." The jokes stay sharp, from the goth girl who gives her a "make-under" to throwaway lines (caught breaking some cardinal rules, Charlotte mutters to herself, "I'm dead"). Plotlines raise the stakes, putting Hurley's consistent wit to the service of classic themes about claiming identity. While the author has a built-in fan base from her ghostgirl Web sites, high-impact design will ensure attention from casual browsers as well. An elaborate die-cut with stamped acetate on the cover dares readers to laugh at a silhouette of a cartoon girl in an open casket, an effect heightened by the extra-tall trim size; inside, pink-and-black graphics liberally adorn the margins, epigraphs to chapter openings, etc. And given the polished dark-and-deadpan humor, it's a natural fit with Gen Y, too. Ages 12 up.