Hammered
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- 5,99 €
Beschreibung des Verlags
She was engineered for combat—in a world that is running out of time.
“Very exciting . . . very impressive debut.”—Mike Resnick
Once Jenny Casey was somebody’s daughter. Once she was somebody’s enemy. Now the former Canadian special forces warrior lives on the hellish streets of Hartford, Connecticut, in the year 2062. Racked with pain, hiding from the government she served, running with a crime lord so she can save a life or two, Jenny is a month shy of fifty, and her artificially reconstructed body has started to unravel. But she is far from forgotten. A government scientist needs the perfect subject for a high-stakes project and has Jenny in his sights.
Suddenly Jenny Casey is a pawn in a furious battle, waged in the corridors of the Internet, on the streets of battered cities, and in the complex wirings of her half-man-made nervous system. And she needs to gain control of the game before a brave new future spins completely out of control.
“A gritty and painstakingly well-informed peek at a future we’d all better hope we don’t get . . . Elizabeth Bear builds her future nightmare tale with style and conviction and a constant return to the twists of the human heart.”—Richard Morgan
PUBLISHERS WEEKLY
Drugs, gangs and Internet warfare run rampant in Bear's ambitious debut novel, an SF thriller set in 2062. Jenny Casey, a former Canadian special forces warrior who's half-machine as the result of an accident years earlier, is living in Hartford, Conn., when a scientist working in need of the perfect subject for a high-stakes virtual-reality project puts Casey in his sights. Casey becomes a pawn in a furious battle waged in the corridors of the Internet, on the streets of battered cities and in the complex wirings of her half-manmade nervous system. As she approaches her 50th birthday, Casey manages to maintain a good sense of humor, a trait unfortunately lacking in the rest of the cast, which includes an old flame, a gangster named Razorface and a female ex-con who befriends the heroine. Bear's often jagged prose ("We disembark in Brazil, which has the distinction of being one of several countries I've been shot at in. Shot down over, even") suits the frequent, at times confusing narrative jumps between the virtual and real worlds. Though readers may have difficulties following this sometimes chaotic story, advance praise from such SF pros as Mike Resnick, Richard Morgan and Peter Watts should ensure a strong start.
