I Never Walked Alone
The Autobiography of an American Singer
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- 18,99 €
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- 18,99 €
Beschreibung des Verlags
An inspiring self-portrait of a world-renowned African American vocal artist
This is a fascinating account of a gifted woman's coming of age and rise to success at a time when black classical musicians faced barriers at every turn. Shirley Verrett possessed a talent and ambition so dazzling she could not be denied?and she became one of the most celebrated artists of her time. I Never Walked Alone draws the reader into the world of this graceful, fiery artist, dramatically telling the story of her childhood and her brilliant international career. The book is filled with behind-the-scenes tales of this diva?s great performances, roles, and collaborations, offering insight into her stormy personal relationships as well as her private struggles and critical decisions. Featuring forewords and afterwords by such figures as Luciano Pavarotti, Placido Domingo, Zubhin Mehta, and Claudio Abbado, this richly detailed book paints a vivid picture of a magnificent survivor and an indelible artist known around the world as the black Maria Callas.
Shirley Verrett (Ann Arbor, MI, and New York, NY) is currently Professor of Voice at the University of Michigan School of Music.
Christopher Brooks is a biographer and award-winning musicologist.
PUBLISHERS WEEKLY
Soprano Shirley Verrett rocketed to stardom (as a mezzo-soprano) in the early 1960s as one of the first African-Americans to break the color barrier in the recital hall and opera house. Verrett's early operatic triumphs came in Europe, but she established herself at the Metropolitan Opera in 1973 when she sang the roles of both Cassandra and Dido in Berlioz's five-hour-long Les Troyans and then followed that up by costarring with Beverly Sills in Sills's belated Met debut in Rossini's L'Assedio di Corinto (The Siege of Corinth). During her long career, Verrett's repertoire ranged from the vengeful gypsy Azucena in Verdi's Il Trovatore to the druid priestess in Bellini's Norma. She avoided most of the German operatic roles, although conductors tried to tempt her to sing Wagner's Tristan und Isolde. Verrett had a reputation for being a demanding artist, and in these memoirs she admits errors in judgment that contributed to well-publicized"feuds" with Marilyn Horne and fellow African-American Grace Bumbry. She recounts her health problems and sometimes difficult personal life with a forthrightness that perhaps stems from her Seventh Day Adventist upbringing. Opera lovers will enjoy Verrett's insights into the characters she played as well as her thoughts on singing; anyone looking for gossip about her fellow singers, however, will need to look elsewhere. 33 b&w photos
