Inland
The New York Times bestseller from the award-winning author of The Tiger's Wife
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3,0 • 1 Bewertung
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- 3,99 €
Beschreibung des Verlags
FEATURED ON BARACK OBAMA'S 2019 READING LIST
SHORTLISTED FOR THE SWANSEA UNIVERSITY DYLAN THOMAS PRIZE
'SPECTACULAR' Guardian
'A WONDER' Daily Mail
'SPARKLING' The Times
'EXQUISITE' Observer
'MAGNIFICENT' TLS
'EPIC' Entertainment Weekly
'A TRIUMPH' LitHub
'INFECTIOUS' Financial Times
'A MASTERPIECE' Sunday Express
Nora is an unflinching frontierswoman awaiting the return of the men in her life, biding her time with her youngest son - who is convinced that a mysterious beast is stalking the land around their home - and her husband's seventeen-year-old cousin, who communes with spirits.
Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West.
Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Téa Obreht's talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely - and unforgettably - her own.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY: Guardian, Time, Washington Post, Entertainment Weekly, Esquire, Good Housekeeping, The New York Public Library
'Should have been on the Booker longlist' Claire Lowdon, Sunday Times
'Magnificent... Brings to mind Gabriel García Márquez's One Hundred Years of Solitude or Toni Morrison's Beloved' Times Literary Supplement
'Exquisite ... The historical detail is immaculate, the landscape exquisitely drawn; the prose is hard, muscular, more convincingly Cormac McCarthy than McCarthy himself' Alex Preston, Observer
PUBLISHERS WEEKLY
The unrelenting harshness of existence in the unsettled American West sharply focuses what Obreht (The Tiger's Wife) refers to as "the uncertain and frightening textures of the world" in this mesmerizing historical novel spun from two primary narrative threads. In one, homesteader Nora Lark waits with her son and niece for the return of her newspaperman husband with a supply of badly needed water for their house in Amargo, in the Arizona Territory in 1893. In the other, outlaw Lurie Mattie flees a warrant for murder by taking refuge in the Camel Corps, an all-but-forgotten experiment in history to import camels as beasts of burden in the 19th-century American Southwest. As Nora's and Lurie's paths gradually converge, Obreht paints a colorful portrait of the Western landscape, populated by a rogue's gallery of memorable characters and saturated with spirits of the countless dead who attain a tangible presence, if only through the conversations they conduct in the minds of the characters whom they haunt. The novel's unforgettable finale, evocative and grimly symbolic, crystallizes its underlying themes of how inconsolable grief and unforgivable betrayal shape the circumstances that bind its characters to their fates. Obreht knocks it out of the park in her second novel.)
