Joan Mitchell Paints a Symphony
La Grande Vallée Suite
-
- 9,99 €
Beschreibung des Verlags
Eureka! Nonfiction Silver Honor Award (California Reading Association)
Celebrate the creative process of pioneering American abstract painter Joan Mitchell in this beautifully illustrated STEAM picture book, perfect for all kinds of young creators.
It’s 1983, and American artist Joan Mitchell is in her studio outside Paris, transforming her emotions and memories into a symphony of colors and shapes. Inspired by her friend’s description of an idyllic hidden valley in France, Mitchell creates 21 massive paintings—her Grande Vallée series —bursting with vibrant, energizing hues. But she doesn’t paint the valley’s flowers and meadows. She paints a feeling about them—abundance, freedom, liveliness—creating a harmonious blend of drips, splashes, and brushstrokes in rainbow colors. When the paint dries, it's time to share her valley with the world.
This inspiring, poetic picture book about an influential yet lesser-known American artist provides a snapshot of a creator who deserves as much acclaim as better-known Abstract Expressionists like Jackson Pollock or Willem de Kooning. Author Lisa Rogers shares both the despair and delight Mitchell experienced throughout her career, while acclaimed illustrator Stacy Innerst’s bright artwork captures the movement and energy of Mitchell’s work, as her paintings develop from page to page.
PUBLISHERS WEEKLY
With pulsating lines and musical metaphor, Rogers rhapsodically introduces artist Joan Mitchell (1925–1992) and her creation of 21 gigantic paintings known as La Grande Vallée Suite. Evocative narration highlights Mitchell's efforts to convey the feelings elicited by imagined and remembered landscapes: "She knows what marks she wants/ to make,/ marks that will transform her emotions/ and memories/ into a symphony of colors/ and shapes." Because "one canvas cannot express the buzz of dragonflies,/ the flutter of petals," Mitchell keeps generating new paintings until, at last, she shares "her valley with the world." In absorbing scenes, Innerst emulates the energy of Mitchell's own work with bold strokes of radiant color, using contrasting unlined black and gray markings to render Mitchell amid other figures, portrayed with various skin tones. The vibrant study that emerges feels like an apt paean. Extensive back matter concludes. Ages 7–10.
