Johannes Cabal the Necromancer
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4,0 • 1 Bewertung
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- 3,99 €
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- 3,99 €
Beschreibung des Verlags
The start of a fantastic new series.
Johannes Cabal has never pretended to be a hero of any kind.
There is, after all, little heroic about robbing graves, stealing occult volumes, and being on nodding terms with demons. His purpose, however, is noble. His researches are all directed to raising the dead. Not as monstrosities but as people, just as they were when they lived: physically, mentally, and spiritually. For such a prize, some sacrifices are necessary. One such sacrifice was his own soul, but he now sees that was a mistake – it’s not just that he needs it for his research to have validity, but now he realises he needs it to be himself. Unfortunately, his soul now rests within the festering bureaucracy of Hell. Satan may be cruel and capricious but, most dangerously, he is bored. It is Cabal’s unhappy lot to provide him with amusement.
In short, a wager: in return for his own soul, Cabal must gather one hundred others. Placed in control of a diabolical carnival – created to tempt to contentiousness, to blasphemy, argumentation and murder, but one may also win coconuts – and armed only with his intelligence, a very large handgun, and a total absence of whimsy, Cabal has one year.
One year to beat the Devil at his own game. And isn’t that perhaps just a little heroic?
PUBLISHERS WEEKLY
When Johannes Cabal, a haughty sorcerer, finds that the absence of a soul is an impediment to his occult studies, he strikes a bargain with Satan in British author Howard's darkly funny debut: in one year's time he'll deliver the bartered souls of 100 unfortunates so that he might repossess his own. Cabal and his vampire brother, Horst, mount a traveling carnival to scour the countryside for men and women desperate enough to consign their souls to an infernal eternity for whatever will relieve their misery of the moment. Cabal proves marginally competent but maximally amusing in his dealings with a competing necromancer, an asylum of escaped lunatics and a staff of slowly decomposing carnies conjured from the dead. Howard capably synthesizes two classic themes of macabre fiction the pact with the devil and the dark carnival but the book's episodic structure and unconvincing ending betray it as a freshman effort. Still, Howard's ear for witty banter and his skill at rendering black comedy bode well for the future.
