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Beschreibung des Verlags
Kansas City Lightning: The Rise and Times of Charlie Parker is the first installment in the long-awaited portrait of one of the most talented and influential musicians of the twentieth century, from Stanley Crouch, one of the foremost authorities on jazz and culture in America.
Throughout his life, Charlie Parker personified the tortured American artist: a revolutionary performer who used his alto saxophone to create a new music known as bebop even as he wrestled with a drug addiction that would lead to his death at the age of thirty-four.
Drawing on interviews with peers, collaborators, and family members, Kansas City Lightning recreates Parker’s Depression-era childhood; his early days navigating the Kansas City nightlife, inspired by lions like Lester Young and Count Basie; and on to New York, where he began to transcend the music he had mastered. Crouch reveals an ambitious young man torn between music and drugs, between his domineering mother and his impressionable young wife, whose teenage romance with Charlie lies at the bittersweet heart of this story.
With the wisdom of a jazz scholar, the cultural insights of an acclaimed social critic, and the narrative skill of a literary novelist, Stanley Crouch illuminates this American master as never before.
With the straight-ahead timing and the ethereal blowing of a great jazzman, Crouch delivers a scorching set in this first of two volumes of his biography of Charlie Yardbird Parker, capturing the downbeats and the up-tempo moments of the great saxophonist s life and music. Drawing on interviews with numerous friends, fellow musicians, and family members, Crouch traces Parker s life from his earliest days in Kansas City, Mo., his early romance and eventual marriage to Rebecca Ruffin, and his heroin addiction to his involvement with his mentors Lester Young and Buster Smith. Crouch brings to life the swinging backdrop against which Parker honed his craft: Kansas City was becoming a kind of kind of experimental laboratory, where the collective possibilities of American rhythm were being refined and expanded on a nightly basis. Parker eventually decides that Kansas City isn t big enough for him, and he rides the rails to Chicago and New York, ending up on Buster Smith s doorstep, eager to absorb all the lessons the big city has to teach him. By now, he had long since mastered the physical challenges of playing... and become preoccupied with the coordination of mind and muscle necessary to make his own way. As Crouch reminds us, however, Charlie Parker, no matter how highly talented, was not greater than his idiom. But his work helped to lead the art form to its most penetrating achievement.