Michelangelo and Titian
A Tale of Rivalry and Genius
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- Vorbestellbar
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- Erwartet am 3. Feb. 2026
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- 29,99 €
Beschreibung des Verlags
From the acclaimed author of Michelangelo, God’s Architect, a dual biography of two towering artists of the Renaissance, whose decades-long rivalry spurred both to greater heights
In 1529, Michelangelo was in Venice when he first met Titian, Venice’s famed painter of princes, gods, and goddesses. Coming face-to-face with Titian’s drama-infused, richly colored works, the creator of David and the Sistine Chapel ceiling realized he had met a worthy opponent. Twenty-five years later, Titian came to Rome to paint the pope, and the two met again. Painting in the Vatican, Titian experienced the full power of Michelangelo’s work and vowed to surpass the achievements of his older contemporary.
Michelangelo and Titian is the untold story of history’s greatest artistic rivalry, a competition between two monumental figures more admiring of one another than either would ever admit. William Wallace brings the world of the sixteenth century to life, and in particular its culture of gossip and intrigue. Wallace challenges the established narrative of this relationship as mostly one-sided, with the younger artist in competition with the reigning master. He shows how the artists moved in overlapping courtly and papal circles, sharing the patronage, power, and sometimes friendship of the most important people of their era, including members of the Medici, Este, and Farnese families. Wallace traces how, over the span of some forty years, this unspoken rivalry was reciprocal and mutually beneficial, with each learning from the other’s brilliance, quietly seeking to best the other’s work and secure his own legacy.
An extraordinary achievement, Michelangelo and Titian is a compelling account of two supremely gifted rivals who inspired each other to test the limits of their creative genius, and in doing so created some of the most astonishing works of art the world has ever known.
PUBLISHERS WEEKLY
Italian Renaissance artists Michelangelo and Titian met only twice but participated in a yearslong dialogue via their patrons, subject matter, and motifs, according to this captivating study from art historian Wallace (Michelangelo, God's Architect). The two first met in 1529 when Michelangelo fled political upheavals in his native Florence for Venice, where he was greeted by a delegation that included Titian, the city's official painter. Sixteen years later, Titian came to Rome to deliver a painting and Michelangelo paid him a visit on behalf of Pope Paul II. Wallace wraps his analysis of the men's relationship around these two encounters, using them partly to debunk theories that frame Titian as an imitator of the older artist. Instead, Wallace depicts a layered and complex relationship between two highly competitive men whose art energized, influenced, and sometimes contradicted each other's. (In 1564, Titian painted the Annunciation—the moment when the angel Gabriel told Mary she would bear Jesus—in a sensual, theatrical vein that eschewed the more "tightly drawn" style Michelangelo had used to depict the scene four years earlier.) Maps and ample illustrations enliven this vivid window into the relationship between two artistic giants and a creatively fertile time in Italian history. Armchair art historians will be riveted.