Mister B. Gone
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5,0 • 1 Bewertung
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- 6,99 €
Beschreibung des Verlags
The long-awaited return of the great master of horror. Mister B. Gone is Barker's shockingly bone-chilling discovery of a never-before-published demonic ‘memoir’ penned in the year 1438, when it was printed – one copy only – and then buried until now by an assistant who worked for the inventor of the printing press, Johannes Gutenberg.
This bone-chilling novel, in which a medieval devil speaks directly to his reader—his tone murderous one moment, seductive the next—is a never-before-published memoir allegedly penned in the year 1438.
The demon has embedded himself in the very words of this tale of terror, turning the book itself into a dangerous object, laced with menace only too ready to break free and exert its power.
A brilliant and truly unsettling tour de force of the supernatural, Mister B. Gone escorts the reader on an intimate and revelatory journey to uncover the shocking truth of the battle between Good and Evil.
Reviews
Praise for Clive Barker:
‘An invocation of both magic and the imagination… A majestic maze of mythmaking’
WASHINGTON TIMES
‘Passionate and ingenious… A ride with remarkable views’
TIMES LITERARY SUPPLEMENT
‘A fabulous, engrossing war of the worlds’
PEOPLE MAGAZINE
‘Barker’s fecundity of invention is beyond praise. In a world of hard-bitten horror and originality, Clive Barker dislocates your mind’
- Mail on Sunday
‘A powerful and fascinating writer with a brilliant imagination… Clive Barker is an outstanding storyteller’
- J G Ballard
About the author
Clive Barker was born in Liverpool in 1952. He is the worldwide bestselling author of the Books of Blood, and numerous novels including Imajica, The Great and Secret Show, Sacrament and Galilee. In addition to his work as a novelist and short sotry writer le also illustrates, writes, directs and produces for the stage and screen.
PUBLISHERS WEEKLY
This offbeat novel in the form of a minor demon's diary may satisfy devoted Barker fans eager for his return to adult fiction after several years writing the Abarat series, but others, especially first-time readers, are likely to find this fable about good and evil less than rewarding. Jakabok Botch, the child of two demons who has inherited his father's two tails, is rendered even more grotesque after he tumbles into a fire and most of his face is badly burned. A violent dispute with his abusive father, Pappy Gatmuss, leads to the pair being trapped by a net from our world. Jakabok manages to elude capture and eventually finds his way to the home of Johannes Gutenberg, whose wife turns out to be an angel in disguise. The book's format simultaneously Botch's first-person narrative and his break-the-fourth-wall address to the reader pleading for him or her to burn the book may puzzle readers unused to Barker's quirks.
