My Favorite Warlord
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- 9,99 €
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- 9,99 €
Beschreibung des Verlags
A third collection from an award-winning poet, author of Sightseer in this Killing City, whose "gift is breathtaking" (Naomi Shihab Nye)
The themes of identity, relationships, and the poet's sense of origin are at the heart of Eugene Gloria's rich and captivating new collection. The title poem weaves together Japan's sixteenth-century warlord Hideyoshi with a meditation about the poet's father's dementia; "Here on Earth" embraces post-racial America and the speaker's own sense of displacement in the Midwest. In elegy and psalm, as well as ancient forms from Asia such as the haibun and pantoum, these elegant and passionate poems enact rage, civility, love, travel, and art as well as explore Gloria's own fears of frailty and erasure.
PUBLISHERS WEEKLY
Fathers and sons; brothers, sisters, and immigrant culture; Filipino heritage and multicultural San Francisco; and perhaps most prominent the ideals and limits of Japanese martial tradition animate this lively, fast-paced third book from Gloria (Hoodlum Birds). His technique varies too, with a norm of broad-shouldered, no-nonsense free verse interspersed with quatrain, sonnet, pantoum, and haibun, a Japanese hybrid of verse and prose. Some of them are delicate, nearly funereal ("life unlike lacquer will always be rounded"), but others are tough, like the titular warlord, Hideyoshi, who organized the samurai and re-unified Japan. This "coarse man" stands in opposition to the poet's own Filipino immigrant father, "a big soft man in his pink T-shirt," commemorated in a six-part elegy. "My brother, who is quick/ to anger and prone to unreason" takes over other, more unsettled poems. Gloria establishes himself as a poet of memory, of masculinity, as well as of Asian-American political identity (with, for example, an elegy to Vincent Chin, slain in a famous anti-Asian hate crime). His formal resourcefulness and his attention to manhood, its symbols, its troubles, place him in the company of Bruce Smith, though his work will also, and rightly, find another niche among other Asian-American writers; Gloria (who teaches at DePauw University in Indiana) sets himself confidently against injustice, in favor of inquiry, amid the eclectic language of contemporary scenes.
