Narcopolis
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- 8,49 €
Beschreibung des Verlags
Wait now, light me up so we do this right, yes, hold me steady to the lamp, hold it, hold, good, a slow pull to start with, to draw the smoke low into the lungs, yes, oh my...
Shuklaji Street, in Old Bombay. In Rashid's opium room the air is thick with voices and ghosts: Hindu, Muslim, Christian. A young woman holds a long-stemmed pipe over a flame, her hair falling across her eyes. Men sprawl and mutter in the gloom. Here, they say you introduce only your worst enemy to opium. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. In the broken city, there are too many to count.
Stretching across three decades, with an interlude in Mao's China, it portrays a city in collision with itself. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.
PUBLISHERS WEEKLY
A vibrantly squalid yet glamorous Bombay of the 1970s emerges as the main character in poet Thayil's debut novel. An unnamed narrator wanders through the sweltering Indian underworld of opium dens with odd characters like the intellectually ravenous eunuch, Dimple; and Newton Xavier, a renowned visiting poet and painter. Offbeat character portraits and compelling philosophical discussions form the bulk of the book. The narrator eventually recedes from the story, but returns 25 years later to bookend the novel. In between, the focus shifts to Mr. Lee, a Chinese entrepreneur and frequenter of brothels. Mr. Lee's eventual rise to affluence serves as a parallel to the journey of the city itself. When the narrator moves back in 2004, though heroin has superseded opium as the drug of choice (resulting in an even seamier underground), he finds that Bombay has become Mumbai, an international metropolis. Thayil's precision and economy distill what could be a sprawling and uneven saga into an elegant tapestry of beautifully observed characters and their complex lives.
