Night Watch
Winner of the Pulitzer Prize for Fiction 2024
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- 8,99 €
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- 8,99 €
Beschreibung des Verlags
THE 2024 PULITZER PRIZE WINNER IN FICTION
'Breathtaking in both its scope and intensity' TAYARI JONES
'Shatteringly particular and audaciously universal' ALICE RANDALL
A mesmerising story about a mother and daughter seeking refuge in a mental asylum in the chaotic aftermath of the Civil War.
In 1874, in the wake of the war, trauma haunts civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee and her mother, Eliza, who hasn't spoken in more than a year, arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital's entrance by a war veteran who has forced himself into their lives. There, far from family, a beloved neighbour, and the mountain home they knew, they try to reclaim their lives.
The twin horrors of war and race rise to the surface as we learn their history: their flight to the highest mountain ridges of western Virginia; the disappearance of ConaLee's father, who left for the war and never returned. Meanwhile in the asylum, they begin to find a new path. ConaLee pretends to be her mother's maid; Eliza responds slowly to treatment. They get swept up in the life of the facility - the mystery behind the man they call the Night Watch; the child called Weed; the fearsome woman who runs the kitchen; the remarkable doctor at the head of the institution.
Epic, enthralling and meticulously crafted, Night Watch is a brilliant portrait of family endurance against all odds and a stunning chronicle of surviving war and its aftermath.
PUBLISHERS WEEKLY
Exquisite attention to detail propels a superb meditation on broken families in post–Civil War West Virginia from Phillips (Lark and Termite). In 1874, 12-year-old ConaLee and her mute mother, Eliza, are delivered to the Trans-Allegheny Lunatic Asylum in Weston by an abusive man known to ConaLee as Papa, who has sold off the pair's possessions. Papa assures ConaLee that the asylum will cure Eliza; before he departs, he also reveals he is not ConaLee's father. Mother and daughter are welcomed by night watchman O'Shea, a Union Army veteran who lost his eye in battle. As her health improves, Phillips oscillates between 1874 and 1864 to fill in narrative puzzles, explaining Eliza's quiet nature, the origins of Papa in their lives, the identity and fate of ConaLee's real father, and O'Shea's injury. A profound sense of loss haunts the novel, and Phillips conveys a strong sense of place (describing the asylum, she writes, "There was noise and commotion, all of a piece, like off-pitch music"). The bruised and turbulent postbellum era comes alive in Phillips's page-turning affair.
