No Joke
Making Jewish Humor
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- 18,99 €
Beschreibung des Verlags
Why the genius of Jewish humor runs risks as well as rewards
Humor is the most celebrated of all Jewish responses to modernity. In this book, Ruth Wisse evokes and applauds the genius of spontaneous Jewish joking—as well as the brilliance of comic masterworks by writers like Heinrich Heine, Sholem Aleichem, Isaac Babel, S. Y. Agnon, Isaac Bashevis Singer, and Philip Roth. At the same time, Wisse draws attention to the precarious conditions that call Jewish humor into being—and the price it may exact from its practitioners and audience.
Wisse broadly traces modern Jewish humor around the world, teasing out its implications as she explores memorable and telling examples from German, Yiddish, English, Russian, and Hebrew. Among other topics, the book looks at how Jewish humor channeled Jewish learning and wordsmanship into new avenues of creativity, brought relief to liberal non-Jews in repressive societies, and enriched popular culture in the United States.
Even as it invites readers to consider the pleasures and profits of Jewish humor, the book asks difficult but fascinating questions: Can the excess and extreme self-ridicule of Jewish humor go too far and backfire in the process? And is "leave 'em laughing" the wisest motto for a people that others have intended to sweep off the stage of history?
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Wisse, whose The Modern Jewish Canon: A Journey Through Language and Culture won the 2001 National Jewish Book Award, is well suited to analyzing the history of Jewish humor. Through chapters that divide up the Jewish experience from the early 19th century through the present, the Harvard professor makes good on her goal of demonstrating "how the benefits of Jewish humor are reaped from the paradoxes of Jewish life, so that Jewish humor at its best carries the scar of the convulsions that brought it into being." In looking at German Jewry during the Enlightenment, she trenchantly notes that "comedy's predilection for inversion and incongruity was richly served by a society that enticed Jews into conversions that it necessarily distrusted, and Jews who distrusted the society into which they were voluntarily coerced." That bitter edge is exemplified in jokes Jews told when the Nazi practice of using human fat to make soap became widely known, and she compellingly argues in another section that Israeli Jews used wit as "creative compensation for political impotence" of the newly-formed Jewish state. Accessible to nonacademic audiences as well as scholars, this cultural history is a welcome addition to the study of humor in a sociopolitical context. 14 illus.
