P is for Peril
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- 5,99 €
Beschreibung des Verlags
P is for Peril is the sixteenth in the Kinsey Millhone mystery series by Sue Grafton.
It is now nine weeks since Dr Dowan Purcell vanished without trace. The sixty-nine-year-old doctor had said goodnight to his colleagues at the Pacific Meadows nursing home, had climbed into his car and driven away – never to be seen again.
His embittered first wife Fiona is convinced he is still alive. His second wife, Crystal – a former stripper forty years his junior – is just as sure he is dead. Enter private investigator Kinsey Malone, hired by Fiona to find out just what has happened to the man they loved.
Enter also Tommy Hevener, an attractive flame-haired twenty-something who has set his romantic sights on Kinsey. And Tommy is a man with a very interesting past . . .
PUBLISHERS WEEKLY
PI Kinsey Millhone's trademark dry sense of humor is largely absent in the first half of the 15th book in this justifiably popular series, though it resurfaces as the suspense finally begins to build in the second half. In the bleak November of 1986, Kinsey looks into the disappearance of Dr. Dowan Purcell, who's been missing for nine weeks. Dr. Purcell is an elderly physician who runs a nursing home that's being investigated for Medicare fraud. His ex-wife, Fiona, hires Kinsey when it seems as though the police have given up on the search. Fiona thinks that he could be simply hiding out somewhere, especially since he's pulled a disappearance stunt twice before. However, Purcell's current wife, Crystal, believes that he may be dead. Kinsey is dubious about finding any new leads after so much time has elapsed. She's also worried about having to move out of the office space she now occupies in the suite owned by her lawyer, and between her interviews with suspects she tries to rent a new office from a pair of brothers whose mysterious background begins to make her suspicious. Grafton's Santa Teresa seems more like Ross Macdonald's town of the same name than ever before, with dysfunctional families everywhere jostling for the private eye's attention. The novel has a hard-edged, wintry ambience, echoed in Fiona Purcell's obsession with angular art deco furniture and architecture. Unfortunately, Grafton's evocation of the noir crime novels and styles of the 1940s, although atmospheric, doesn't make up for a lack of suspense and lackluster characters.
