Parade
A Novel
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2,0 • 1 Bewertung
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- 10,99 €
Beschreibung des Verlags
Winner of the Goldsmiths Prize
Named a Best Book of the Year (So Far) by The New Yorker and Vulture
From Rachel Cusk, author of the Outline trilogy, comes this startling, exhilarating novel that once again expands the notion of what fiction can be and do.
Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success.
In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas.
At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.
When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.
Parade is a novel that demolishes the conventions of storytelling. It surges past the limits of identity, character, and plot to tell the story of G, an artist whose life contains many lives. Rachel Cusk is a writer and visionary like no other, who turns language upside down to show us our world as it really is.
PUBLISHERS WEEKLY
Cusk (the Outline trilogy) delivers a stimulating experimental novel about contemporary artists contending with familial and societal constraints. The book comprises four distinct sections. "The Stuntman" focuses on a painter named G, whose work depicts himself and his wife upside down on the canvas, revealing, his wife thinks, "something disturbing about the female condition." In "The Midwife," a female painter also named G leaves behind her "wild" youth to marry and have a daughter with an oppressive husband. Cusk remarks subtly on the "incomprehensible fate" of women such as G by juxtaposing her story with a parallel narrative focused on a defunct utopian community run by a repugnant man and his competent, long-suffering wife. "The Diver" portrays a group of art world professionals discussing the recent derailing of an important exhibition (descriptions of the unnamed artist's work suggest Louise Bourgeois), after a visitor dies by suicide in the museum on opening day. In "The Spy," the rise of a filmmaker named G is juxtaposed with the story of adult siblings visiting their domineering mother at her deathbed, where they consider what they've learned after having children of their own. Though the connections between the sections can feel tenuous, the author's spare approach to character is as sharp as ever. Once again, Cusk offers ranging and resonant perspectives on art, love, and femininity.
