Pharais and the Mountain Lovers

INTO this collected edition are gathered all the writings of William Sharp published under his pseudonym "Fiona Macleod," which he cared to have preserved; writings characterised by the distinctive idiom he recognised to be the expression of one side of his very dual nature—of the spiritual, intuitive, subjective self as distinct from the mental, reasoning, objective self.

In the preparation of this edition I have carefully followed the author's written and spoken instructions as to selection, deletion, and arrangement. To the preliminary arrangement he gave much thought, especially to the revision of the text, and he made considerable changes in the later version of certain of the poems and tales. In one instance only have I acted on my own judgment, and have done so because I felt satisfied he would have offered no objection to my suggestion. In accordance with his decision the romance Green Fire is not reissued in its entirety, because he considered the construction of it to be seriously defective. He rewrote the second half of the story—the only portion he cared to keep—renamed it "The Herdsman" and included it in The Dominion of Dreams. Scattered throughout Green Fire there are a number of "Thoughts" which I and other readers are desirous of preserving; I have therefore gathered them together and have included them in the form of detached "Fragments."

The Laughter of Peterkin is also excluded, because it is a retelling of old familiar Celtic tales and not primarily an original work. Two of these retellings, however, Deirdre and the Sons of Usna, and The Four White Swans have been published separately in America by Mr. Mosher (Portland, Maine).

Though the "Fiona Macleod" phase belongs to the last twelve years of William Sharp's life, the formative influences which prepared the way for it went back to childhood. Though "the pains and penalties of impecuniosity" during his early struggles in London tended temporarily to silence the intuitive subjective side of his nature in the necessary development of the more objective intellectual "William Sharp"—critic, biographer, essay and novel writer as well as poet—he never lost sight of his desire to give expression to his other self.