Pride and Prejudice
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- 0,99 €
Beschreibung des Verlags
Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work “her own darling child” and its vivacious heroine, Elizabeth Bennet, “as delightful a creature as ever appeared in print.” The romantic clash between the opinionated Elizabeth and her proud beau, Mr. Darcy, is a splendid performance of civilized sparring. And Jane Austen’s radiant wit sparkles as her characters dance a delicate quadrille of flirtation and intrigue, making this book the most superb comedy of manners of Regency England.
Among the writers who have approached nearest to the manner of the great master, we have no hesitation in placing Jane Austen. —Thomas Macaulay
‘Pride and Prejudice’ is the best novel in the language. —Anthony Trollope
I used to think that men did everything better than women, but that was before I read Jane Austen. I don’t think any man ever wrote better than Jane Austen. —Rex Stout
Elizabeth Bennet has but to speak, and I am at her knees. —Robert Louis Stevenson
Read again, and for the third time at least, Miss Austen’s very finely written novel of ‘Pride and Prejudice.’ That young lady has a talent for describing the involvements and feelings and characters of ordinary life which is to me the most wonderful I ever met with. —Sir Walter Scott
PUBLISHERS WEEKLY
Collagist Fabe adds flair to Jane Austen's Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe's collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the '50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen's book, Fabe's work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen "was a little bit mean the way real people are mean so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen's genius, her ability to describe people in all their frailty and humor." This is a sweet and visually appealing homage. (BookLife)
