Prima Facie
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- 9,99 €
Beschreibung des Verlags
'Every winner might be the one who loses the next day.'
Tessa is a young, brilliant barrister. She has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning.
But an unexpected event forces her to confront the patriarchal power of the law, where the burden of proof and morality diverge.
Prima Facie by Suzie Miller is an award-winning play for a solo actor, taking us deep into a world where emotion and integrity are in conflict with the rules of the game.
After several acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, the play received its European premiere at the Harold Pinter Theatre in London's West End in April 2022. It was produced by Empire Street Productions, directed by Justin Martin, and starred Jodie Comer, the Emmy and Bafta Award-winning star of TV's Killing Eve, making her West End debut.
It won Best New Play at both the Olivier Awards and the WhatsOnStage Awards in 2023.
PUBLISHERS WEEKLY
In this bracing if somewhat stilted debut, playwright Miller adapts her Olivier-winning play about London criminal defense barrister Tessa Ensler, whose fierce faith in the law is challenged after she's raped by a colleague. Though Tessa prides herself on being a champion for underdogs like her older brother, Johnny—whose juvenile run-ins with the justice system have tainted his professional prospects—she has surprisingly few qualms about defending men accused of sexual assault. Her favored tactic in these cases is superficially sympathetic but ultimately devastating cross-examinations of her client's female accusers. One night, after a bout of heavy drinking, Tessa is assaulted by a colleague with whom she's been carrying on an affair. As she wrestles with the same conundrums faced by the women she's eviscerated on the stand, the novel hits its stride on the way to a climactic courtroom showdown. Miller's narrative more than succeeds as an impassioned piece of advocacy that illuminates the tilted playing field facing sexual assault survivors. Without the immediacy of the stage, however, it can sometimes feel less like a novel than a brilliantly argued legal brief. Miller provides plenty of food for thought, but she doesn't quite nail the transition from stage to page.