Real Americans
The instant New York Times bestseller
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4,0 • 1 Bewertung
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- 8,99 €
Beschreibung des Verlags
** THE INSTANT NEW YORK TIMES BESTSELLER **
'Insightful and heartfelt' GLAMOUR
'Easy to inhale' GUARDIAN
'Mesmerizing' BRIT BENNETT, author of THE VANISHING HALF
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New York City, 1999. Lily Chen is an unpaid intern, pursuing the American Dream, when she falls for a young financier – and the life of luxury his vast fortune promises. Everything she wants seems to finally be within reach. But deep down, she knows that her ambitious scientist mother, Mei, imagined so much more for her when she fled the unspoken horrors of Mao’s cultural revolution.
Twenty years later, Lily is a single parent, estranged from her own family and increasingly isolated from her teenage son, Nick. Desperate to break free from their life on a remote island in Washington State, Nick strives to live better than the generation before him, unable to understand his mother’s choices. But when he looks into the past and is unexpectedly confronted by the ghosts of his grandmother’s young life in 1960s China, he risks unsettling a legacy of family secrets – passed on from mother, to daughter, to son.
Following three generations of one Chinese American family, REAL AMERICANS is a mesmerising, multilayered family drama which explores the choices we make for ourselves, and for our children. Spanning decades and continents, it is a soaring, heartfelt story about fate, fortune, and what it means to belong.
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'Traverses time with verve and feeling' RAVEN LEILANI, author of LUSTER
'An eye-opener, imaginative and exhilarating' HA JIN, author of WAITING
'Gorgeous, heartfelt, soaring, philosophical and deft' ANDREW SEAN GREER, author of LESS
PUBLISHERS WEEKLY
Khong returns (after Goodbye, Vitamin) with an impressive family drama. It opens in 1999 with 22-year-old narrator Lily, the daughter of Chinese immigrants, scraping by in New York City on an unpaid internship. When she meets über-wealthy and über-handsome Matthew it feels like a fairy tale, but a sense of imbalance between them remains as their relationship develops. Khong then fast-forwards to 2021, when Lily and Matthew's son, Nick, is a teenager. Lily and Matthew are no longer together or even in contact, though it's unclear why. Disconnected from his family history, Nick struggles to understand his identity. He reconnects with Matthew but finds the dynamic strained and ultimately relocates to San Francisco, where he crosses paths with his maternal grandmother, May, who narrates the novel's third section, set in 1960s China. Young, ambitious May (then called Mei Ling) attends Peking University on the eve of the Cultural Revolution. Khong is both a perceptive prose stylist and an accomplished storyteller, and she shines brightest when portraying differing cultural styles of parental love ("It wasn't American," Nick thinks at one point, "for to love as much as she did"). Khong reaches new heights with this fully-fledged outing.
